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Showing posts with label Landmark Theatre. Show all posts
Showing posts with label Landmark Theatre. Show all posts

Friday, February 29, 2008

Penelope...Reese Witherspoon release, resonates on deeper level!


Well, I dickered about posting on "Penelope" - the new release from Summit - which premiered last night at the Landmark Theatre in West Los Angeles.

On the surface, the idea is offensive.

A baby girl is born with a "pig face" arising from an age-old curse.

In an intriguing scenario, stringent conditions must be met by a descendant of the bloodline before the spell can be lifted.

For the most part, the feature tends to focus on the shame of the stigma that has been thrust upon the well-positioned upper crust family in the community at large.

In this sort-of - "black comedy" - the producers have devoted an inordinate amount of screen footage beholden to the bold-faced efforts of the parents to shield - hide? - their sensitive daughter from the prying eyes of a society they perceive as cruel and heartless.

Tasteless piggy jokes abound amid a round of endless off-the-wall sight gags - which, at times - repulse. Although the better judgment of the audience tends to lean on the side of caution with regard to such repugnant material - at times, the theatre-goer can't help but emit a jittery giggle or loud guffaw - such is the power of the story-telling devices here which compel a reaction.

The tale tends to be - quite simply - superficial, silly, and earnestly off-beat. In a nutshell, Penelope is a commercially-focused Hollywood piece of crap.

It appears that on a basic level, the filmmakers are not only "pooh-poohing" the exaltation of physical beauty by sentient beings in the civilized classes - but, in particular - are pointing the finger at those unsavory few who pine for it ad nauseam in our decidedly hedonistic society.

The tale of "Penelope" - albeit here, slightly twisted - is rooted in Ancient Lore.

In fact, in Homer's - Odyssey - PenĂ©lopĂȘ was the faithful wife of Odysseus who kept her suitors at bay in his long absence until she is rejoined with him at last. The name has been associated with faithfulness; so clearly, Summit's production is a facet lethally-laced with poetic license.

On a more insightful second glance, "Penelope" is essentially a cautionary tale with an underlying notion that resonates: peer beyond the surface, don't second guess people, and - most importantly - be faithful to and accept yourself.

The truth will set you free.


The Vatican Penelope
A Roman marble copy of an Early Classical 6th-century Greek sculpture.

Thursday, October 25, 2007

Rails & Ties...Eastwood's daughter directs!



Occasionally, life's path twists and turns in unfathomable ways with no apparent rhyme or reason; but, each step may ring true along the way, nonetheless.

Such is the case with Kevin Bacon's theatrical release aptly titled "RAILS & TIES".

Imagine this scenario...

In one part of town , a desperate mother prepares to commit suicide to end her emotional pain.

Across town - another struggles valiantly to deal with a terminal illness which threatens to end her life - long before she's prepared to let go.

What kind of justice does God mete out, anyway?

Fortunately, the filmmakers don't venture there.

Instead, with a competent no-nonsense first-time director at the helm - Alison Eastwood (yeah, Clint's daughter) - a thought-provoking tale unfolds which impacts.

Through a glass darkly, universal themes about - survival, forgiveness, and compassion - rear their ugly head.

Without any apologies, the filmmakers force the audience to stare mortality in the face!

An engineer is barrellin' down the track one crisp morning when he spies a car parked on the rails ahead.

In a split second, the railroad worker (Bacon) must render a tough decision.

Should he tug on the emergency brake - in a bold-faced effort to avoid hitting the car - and run the risk of derailing the train?

Or - in the alternative - play it by-the-book.

When a young mother dies because of the difficult choice he makes, there is a full-scale investigation, and Bacon is placed on suspension until such time as the facts can be determined.

To complicate matters, Bacon is not only forced to grapple with his wife's terminal illness, but suddenly deal with a reality that has somehow eluded him until now.

It gnaws at him - too late - that he hasn't been a particularly thoughtful or dotting husband.

Is it possible to still mend those wounds?

As Bacon's character deals with the dilemmas, the young man who lost his mother in the rail tragedy, arrives on his doorstep demanding answers.

Well, maybe God's mysterious plan is suddenly apparent, and the Universe is unfolding as it should!

"Rails & Ties" is a modest film in many respects.

But, it is so beautifully crafted - that in one unsuspecting moment - it will tear at your heartstrings - with devastating effects

As usual, Marcia Gay Harden was a revelation in a finely-tuned performance.

Mr. Bacon delivered a measured understated performance - a little too minimalist in nature for my taste at times - but kudos to the maturing actor for pulling off a characterization that does resonate.

As to Alison Eastwood - well - it's evident she has a great directorial career ahead of her.

I, for one, shall be looking forward to her next project with great enthusiasm, whatever it may be.

 
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