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Showing posts with label Lucille Ball. Show all posts
Showing posts with label Lucille Ball. Show all posts

Sunday, May 1, 2011

Hollywood Legends...Marilyn Monroe & Lady Diana items sold at auction! Free public exhibition! Live & Online Auction!







If you're a film buff hankering to snatch up a rare publicity still of a Hollywood screen legend - then a dazzling exhibition on display this week at Julien's Auctions (no relation to moi except I admit he does follow me on Twitter!) - may be your cup of tea!

On the heels of the unveiling - May 7th thru May 8th - collectors will have the opportunity to bid for the precious treasures either in person or online at the auctioneer's web site.

The collection includes one-of-kind photographs of Marilyn Monroe, Marlene Dietrich, Lucille Ball, Gloria Swanson, and Marion Davies.

The exhibit is timely, too, when you consider that Lady Diana memorabilia will be up for grabs in the wake of the much-ballyhooed Royal Wedding of son Willis.

Yes, the Duke of Cambridge, silly!

Select offerings include private correspondence Marlene Dietrich dispatched to her husband - and a collection of  letters, scripts, and clothing - owned by Lucille Ball (the Queen of Comedy).

The auctioneers will bring down the gavel on a stunning necklace worn by Angelina Jolie to the premiere of one of her many  memorable films ("Salt").

Proceeds from the exquisite piece of jewellery will be donated to one of Ms. Jolie's charities known as:

"The Educational Partnership for Children in Conflict"

Gosh, sounds like my crumby childhood!

When do I ge the check, Angelina?

Of course, what would a Hollywood Legends auction be, without a poignant souvenir or two from the estate of Marilyn Monroe?

Two of Lady Diana's chic elegant gowns are also being offered up for sale by a business concern known as the "Wedding Channel".

At press time, it was announced the proceeds will be donated to a charitable organization also.
In addition to the aforementoned glam items, there will also be a smattering of science fiction props from the NBC hit series Heroes and the Cape.

In addition to the Sci-Fi collection, there will be momentos from the blockbuster Hollywood feature -  "Terminator 2: Judgment Day" - costumes worn by the cast of Serenity, and rarely-sold odds-and-ends from the Indiana Jones franchise.

Heh, I want that hat, Harrison!

Norman Rockwell staging photographs are also being sold replete with copyright.

The original vintage stills feature legendary performers Frank Sinatra, Ann-Margret, and Bing Crosby.

Julien's Auctions
9665 Wilshire Boulevard
Suite No. 150
Beverly Hills, CA

Info:

http://www.juliensauctions.com

310.836.1818

When you trot down to BH (90210) why not stop into the cafe on the top floor of Nordstrom's.

It is a very chic "in" watering hole to frequent!

The retailer's exquisite selection of Menswear is within buying distance a few steps away.

Why not make a day of it?

See 'ya there!

http://www.thetattler.biz


Lady Diana souvenirs to be auctioned!

Thursday, April 3, 2008

Lucille Ball...hard-knocks, B-movies, and lettuce days!


Lucy's glam days





When I was a kid, I recall catching "Dubarry was a Lady" on the idiot box on late-night TV.

The wide-screen experience eluded me over the years, 'til now.

As part of its tribute to legendary filmmaker - Arthur Freed - the 3rd Annual Backlot Festival screened the Lucille Ball classic and I was there to savor every minute of the experience.

Lucy stars with Red Skelton and Gene Kelley in this screwball comedy - one of a handful of "B" movies the screwy red-head was featured in - just before her career took off after the successful launch of "I love Lucy" in the early fifties.

Actually, it's a hoot to watch Ms. Ball (pre "Lucy" days) saunter across the screen in a swirl of elegant gowns and outrageous designer hats and tangle with the likes of comic genius, Mister Red Skeleton.

The legendary star holds her own, admirably.

One of my favorite lines in the film?
On the subject of romance, Ms. Ball quips.

"I'm too poor to get married for love."

In this hilarious piece of studio pap, Mr. Skelton charms. Here, his timing is impeccable; especially when it comes to quick repartee, pratfalls, and off-kilter shtick, right up the alley of the former vaudevillian.

Gene Kelley is a revelation, too.

In a handful of breezy dance numbers, he executes each step with such grace and style.

In fact, it's difficult to fathom any other dancer of this or any other era, managing the painstakingly intricate step sequences (save for Fred Astaire, of course).

Although Lucy became one of the most powerful women in Hollywood - by virtue of her holdings in Desilu Productions with husband Arnaz - life was not always a snap for the performer.

Lucille Ball was born August 6, 1911 in Jamestown (New York).

Fresh out of the gate, Ball took a job as a model, using the stage name, Diane Belmont.

Moderately successful, Ball became an Earl Carrol showgirl and landed modeling gigs for popular fashion designer, Hattie Carnegie.

But the career climb was not always rosy.

In her "lettuce days" in New York - when she was a struggling dancer - Lucy nearly died of malnutrition, according to one biographer.

Jobs were hard to come by, after all.

As luck would have it, one day Ms. Ball was striding down a busy New York street, when she bumped into a casting woman who took pity on her.

The woman offered Lucy a job as a "cigarette girl" (popular gigs in those days).
There was one hitch, though.

The young starlet would have to pack up and head to Tinsel town.

With a bit of consternation, she headed west, reluctantly.

When she arrived in Hollywood, it didn't escape Lucy's attention that many of the female stars were extremely focused on their "Glamour Queen" images, which worked to her advantage.

Whenever a film required a comedy sketch, or a shenanigan or two that were a bit wacky, the prissy grand dames turned their noses up at the job and flatly refused to sign on.

After all, they didn't want to sully their classy siren images.

But the young upstart jumped at the chance to work.

So, plum roles fell into Lucy's lap in the comedic vein, because she'd willingly take a pie in the face, or throw her heart into in some silly on-camera fluff, to please a director.

Within a short while, Lucy was signed to a contract at one of the studios.

Shortly thereafter, Ms. Ball was turning out a batch of "B" movies, fans hungered for in those early days.

Lucille Ball's first role was a cameo in Eddie Cantor's musical, "Roman Scandals".



Ball later landed bit parts the following year in low budget features such as "Blood Money" and "Kid Millions".



By the late 1940's, the aggressive young starlet appeared in no-less than sixty films (!), and included star turns with Katharine Hepburn, Ginger Rogers and Bob Hope.

On one fateful project ("Too Many Girls") Ball fell in love with her co-star, the dashing Desi Arnaz.

The newlyweds often found themselves on opposite sides of the country because of work assignments, which put a lot of stress on their relationship.

Although Lucy filed for divorce in 1944, the two managed to sort things out before the split was finalized by the court.

However, the experience turned out to be great fodder for their creative well.

Taking a cue from their tumultuous relationship, Ball and Arnaz pitched an idea to CBS about the unlikely marriage of a wild red head to a Cuban band leader.

Network execs surmised the American public would never buy the scenario - so Lucy and Desi formed their own production company called "Desilu" - and took the show on the road.

Within a short span of time, the dynamic duo managed to turn the idea into a popular vaudeville act. Then, on the heels of this success (still without a nod from CBS) Ball and Arnaz proceeded to finance a pilot episode of the show - which they summarily titled - "I Love Lucy".

The sitcom premiered in October of 1951 and became the most popular television show in America, running successfully on Television for six straight years.

During the course of the run, "I Love Lucy" won more than 200 awards, which included five coveted Emmys.

In retrospect, it's important to note that at one juncture in her early bid for stardom, the legendary star was advised to die her hair blond or brunette.

"You'll never make it in the business with red hair," agents and managers whined.

Ironic, that.

Ms. Ball became the most famous redhead in show-business history.

The moral of the story?

To thine own self be true!


Monday, March 31, 2008

Backlot Film Festival...Lucille Ball classic screens. Tribute to Carl Reiner!



Lucille Ball classic to screen...





The 3rd "Annual Backlot Film Festival" returns with an eclectic mix of new releases, old classics, and a handful of intriguing shorts and documentaries.



The mission of the Backlot Film Festival is threefold: to give independent filmmakers the opportunity to showcase their work for industry executives and distributors; to create a better understanding of the motion picture art form of the last one hundred years; to explore the rich film history of Culver City, West Los Angeles and the beach cities of Santa Monica, Venice and Playa del Rey.



This year the program includes World Premiers of fourteen feature-length films, celluloid art pieces by the "Masters" of film, and a catalogue of documentary and shorts sure to be crowd-pleasers.



In addition, there will be Arthur Freed tribute screenings and an awards ceremony.



For example - on Wednesday April 2nd - the much-anticipated annual festival will screen "DuBarry was a Lady" (Arthur Freed) starring the screwball comedienne Lucille Ball, funnyman Red Skelton, and celebrated dancer, Gene Kelly.



"DuBarry" is a must see on the wide-screen.



On a more serious note, there will be a world premiere of the feature - "Chekhov and Maria".



This independent feature is a drama which focuses on the Russian playwright and his sister - who were at odds with each other - over the author's secret marriage.



The filmmaker also zeroes in on the difficulties Chekhov encountered creatively - as he struggled to put the finishing touches on his stage masterpiece - "The Cherry Orchard".



I once starred in a stage production of - "The Marriage Proposal" (a Chekhov comedy) - and won a drama Festival award for my portrayal of the lead character, Lomov.



So, I'll probably want to catch this feature, starring Ron Battitta and Gillian Brashear.



The project was directed by Eric Till.



To top off the first exciting day of events, there will be a World Premier of a Sci-Fi entry - "InAlienable" - which looks like a sure bet.



Guilt-ridden over the death of his family, a man discovers his body is host to a parasite from another world that the government believes is a threat to mankind.



The thriller stars Richard Hatch, Courtney Peldon and Walter Koenig.



The former "Star Trek actor" - Walter Koenig - penned the script.



The independent feature was directed by Robert Dyke.



A Question and Answer session will follow that screening.



This year, the festival bestow the honor of a coveted "Arthur Freed Award" on best student film.



Arthur Freed was a legendary songwriter and producer.



Three of his classy entertaining films - "DuBarry Was A Lady", "Cabin In the Sky", and "Gigi" - will also be screened.



The award will be presented by Stephen A. Saltzman (President of Arthur Freed Productions) who is the grandson of the legendary filmmaker.



In addition, Zev Yaroslavsky (Los Angeles County Supervisor) will receive a "Founder’s Award" for his contributions to the Arts and Film industry.



This year’s "Backlot Film Festival" will also honor gifted comic Carl Reiner (a multi-faceted talent who wears several hats) with the prestigious "Thomas Ince Award" for his contribution to the industry.



Carl Reiner’s illustrious career spans seven decades.



He made his directorial film debut in 1967 with "Enter Laughing".



He went on to direct the comedy, "Where’s Poppa?" (starring George Segal and Ruth Gordon); "Oh God!"(George Burns and John Denver); and "The One And Only" (Henry Winkler).



The legendary entertainer - by virtue of his God-given gifts - has been instrumental in puffing up the careers of other luminaries in the biz such as Steve Martin, John Candy, Kirty Alley and Bill Pullman, to name a few.



Recent film appearances have included blockbuster hits like the "Ocean’s Eleven" series - but old-timers fondly recall his finely-tuned performances in full-length comedy features such as - "The Russians Are Coming", "It’s A Mad World", and the "Slums of Beverly Hills".



In the 1950’s, Reiner’s career initially took off on Broadway when he landed a role in the stage production of, "Call Me Mister".



From there he smartly sidled up to Max Leibman on the "Your Shows Of Shows", which starred Sid Caesar.



After creating the "The Dick Van Dyke Show" (he wrote and directed many episodes) he was inducted into the Emmy Award Hall of Fame.



And, there has not been any looking back since.



The "Thomas Ince Award" is named after Thomas Ince - a pioneer in early film production - who greatly influenced the model for motion picture production standards in the modern day.



Thomas Harper Ince was born into a vaudeville family in Newport (Rhode Island) just before the turn-of-the century.



The precocious lad first graced the stage at age six, often appearing in Broadway hits of the day.



Though motion pictures were held in low regard by serious actors in the early part of the 20th Century, Ince - desperate to spread his wings - abandoned the theater to pursue a film acting career many thought disreputable, at best.



After a handful of on-camera acting jobs with Biograph Films, the young upstart joined forces with Carl Laemmle's IMP Productions, where he was given the opportunity to direct.





Once in the fold - he was fortunate to cross paths with Mary Pickford - whose star was just on the rise.



Laemmle wooed the popular actress from the Biograph Company which was a part of a Motion Picture Trust headed by Thomas Edison.





To avoid legal hassles with The Motion Picture Trust, Ince and Pickford (America's sweetheart was Canadian, like moi!) went to Cuba where they set up production.



Sounds a little like run-away production headaches we hear about today, eh?



The venture ended when their cameraman landed in a Cuban jail!



Both Ince and Pickford moved back to Tinsel town where the golden boy soon gained a reputation for directing films of superior quality.



Tired of the low quality of westerns shot at the time, he sought to combat that problem by putting a whole Wild West show (complete with real cowboys, Indians and a herd of buffalo) on the payroll.



He demonstrated his business savvy, too, when he purchased 20,000 acres of land (which became known as "Inceville") to faciliate as locations for a slew of Westerns he intended to shoot out-of-doors.



Francis Ford directed some of Ince's earlier westerns - which starred a charismatic actor he knew from the Broadway stage - Willam S. Harte.



Thanks to Ince, Harte became the most popular western star of the era.



Ince later built two motion picture studios in Culver City, which included a scene dock and a carpenter shop to build sets. Not to be left idle, he generally presided over the production details of all the films shot on the lot and gave detailed shooting instructions to the directors, as well



On the night of November 19, 1924, Ince was fatally injured aboard the yacht of newspaper mogul William Randolph Hearst.



After the scandal rocked Hollywood, Thomas Ince's film contributions kind-of faded to black; subsequently, his rightful place in Hollywood film lore has become greatly diminished over the years.



Ince's early studio and filmmaking techniques are often put up there today on a pedestal alongside those of film great, W.G. Griffiths.



Past honorees of the award include producer Daniel M. Selznick ("Gone With the Wind") and writer/producer Budd Schulberg ("On The Waterfront"; "A Face In The Crowd").



The festival will also screen two of Carl Reiner’s features, "The Comic" and "All of Me".



A couple of episodes from - "The Dick Van Dyke Show" - will also screen.



See ya there!





Film Pioneer, Tom Ince died mysteriously on Hearst Yacht...


Tuesday, September 11, 2007

Walk of Fame...Hollywood nostalgia



After a good workout at Gold's gym the other night - stay in shape actors, unless you want to be cast in character roles for the duration of your career - I drifted up to the strip to take in the scene.
It spite of the fact the "Boulevard" has been coined Hollyweird, it all seems a little tamer these days.

As I munched on pizza, my focus tended to gravitate to the stars inscribed on the pavement below me.

There didn't seem to be any rhyme or reason to the placement of the "plaques".

For example, Spike Jones is nestled right up close to Maria Callas at the corner of Hollywood & Vine. Meanwhile, a few stars down, Katherine Hepburn's star attracts quite a number of ooh's and aah's from the lookie-loo's.

I stumbled on Desi Arnaz, but there was no Lucy in sight.

Elizabeth Taylor is in front of the Hollywood Literary Project at 6344 Hollywood Blvd; ironic, because I heard that the Oscar-winning actress has a "thing" about words.

I held a door open for her once on a movie set.

As she glided by me on a waft of mystical air, she gazed up at me with those dazzling violet eyes and gushed, "Thank you".

"You're welcome", I quickly responded, as I nearly fainted dead away.

Some names, I was unfamiliar with. Were these ghosts from Hollywood's past before my time?

Tourists buzzed around me like locusts on a hot summer night, excitedly pointing out this & that.

"There's Tab Hunter," one cried out loud. The heart-throb of the fifties is in front of a vintage clothing shop.

When you hover over Doris Day, you can glance across the street and view Capitol Records sandwiched between two buildings; imagine that, developers want to turn the building into a Condominium Complex - much to the chagrin of the old guard who seek to preserve the landmark.

But as the main character (Christopher Plummer) in the film - "Man in the Chair" - astutely noted, "the glitter stops at La Brea".

Folks in-town are privy to the joke.

You see, the whole boulevard is sprinkled with a sort-of stardust - which glistens with an eerie glow - under the silky rays of the moonlight. But, the glitter ends, you got it, at La Brea Avenue and Hollywood Blvd.

Ah, I spy Mary Pickford's star! In spite of the fact she was known as "America's Sweetheart", Douglas Fairbank's real-life wife was actually from my home town, Toronto.

The Hollywood elite were aghast when Meshulam Riklis & wife Pia Zadora razed "Pickfair" (her palatial estate) which was affectionately known as the "White House West" by powerful Hollywood Players lucky enough to have been invited for dinner & drinks in the halcyon days of Tinseltown.

To check out star locations go to:

http://www.hollywoodchamber.net

If you favorite celebrity is not on the Walk of Fame, you can start a campaign to get the ball rolling by abiding by the guidelines as follows:

When nominating an individual or group, the sponsor must submit a photo, a bio and the nominee’s qualifications as well as a list of contributions to the community and civic-oriented participation. A letter of agreement from the nominee or his/her management must be included with the application. Nominations are accepted by the Hollywood Chamber of Commerce during a scheduled 60-day nomination period announced to Hollywood’s entertainment trade publications and print and broadcast media. Nomination of an individual or group must be approved by the Walk of Fame Committee, sometimes requiring several annual nominations before a nominee is selected to receive a star. The ten to fifteen most qualified artists nominated are eligible for a star to be installed in the walk during the subsequent year. Those not selected for the current year are requested to resubmit for the following nomination period. The criteria for receiving a star consists of the following: professional achievement, longevity of five years or more, contributions to the community and the guarantee that the celebrity will attend the dedication ceremony if selected. Posthumous awards require a five-year waiting period. After the Walk of Fame Committee has made its selections, the Chamber’s Board of Directors also vote to approve the star and then for a final vote, the names are submitted to the City of Los Angeles’ Board of Public Works Department.
 
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