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Showing posts with label National Endowment for the Arts. Show all posts
Showing posts with label National Endowment for the Arts. Show all posts

Friday, November 14, 2008

The Big Read...excerpts of Rudolfo Anaya's "Bless me, Ultima" to be performed in West Hollywood. Sunday Nov. 16th! National Endowment of Arts...


"The Big Read" - an initiative of the National Endowment for the Arts - was designed to revitalize the role of literary reading in American Popular Culture.

In a NEA report in 2004, it was revealed that there has been a critical decline in reading for pleasure in American Adults in recent years.

The Big Read addresses that problem by providing citizens with the opportunity to read and discuss a single book within their communities.

When I encountered the Director for the program at the West Hollywood Book Fair a few weeks ago, he invited me to read an excerpt from Rudolfo Anaya's Novel - "Bless Me, Ultima" - slated to be performed over a several week period by a handful of readers.


"A novel is not written to explain a culture, it creates its own," author Rudolpho Anaya asserted in publicity hand-outs.

In essence - "Bless me, Ultima" - is a coming-of-age novel about a young boy's loss of innocence and approach to maturity.

In addition, the entertaining novel also deals with tradition and education, faith and doubt, and the concepts of good and evil.

No one in "Bless me, Ultima" doubts the existence of mystery and magic, notes the publisher.

Miracles, signs, and symbols form a rich part of the New Mexican Catholic Culture of Anaya's world, after all.

Much of the main character's struggle stems from a desire to understand the "correct" source of miracles - whether it be the Catholic Church - or the "curandera".

The curandera character (a witch) - Ultima - acts as a guide for the troubled Antonio man on his spiritual quest.

Along the way, the seeker learns about herbs and remedies of the ancients, and comes face-to-face with stirring legends about the "Weeping Woman" and the "Golden Cup".

Ultima does not tell Antonio what to believe, but how to make choices.

Anaya spent seven years writing the book, which was later published by a small Berkeley Press known as Quinto Sol.

When "Bless me, Ultima" was printed, the author received a $1,000 prize.

Warner Books later acquired the rights.

Since 1972 the novel has become part of the of high school English and University Chicano Literature classes.

Writer Tony Hillerman crowned Mr. Anaya the "Godfather and Guru" of Chicano literature sometime thereafter - which is a honor - that has stuck.

Mr. Anaya was born in the small village of Pastura near Santa Rosa (Mexico).

It is alleged that when Anaya was born to a young farm girl and cowboy father, that the local cunandera (who assisted with the birth) set out tools of both family trades near the newborn.

To the surprise of everyone present, the child reached for a pencil and paper.

At the University of New Mexico, Anaya found a strong voice with the El Movimiento, a Chicano Civil Rights movement in the 1960's.

At this juncture, Anaya was encouraged to pen books that explored his cultural heritage.

After graduating with a B.A. and an M.A., he proceeded to teach at middle schools, high schools, and Universities.

A distinguished career in literature followed.

Indeed, to date, Mr. Anaya has penned at least thirty-five books that fall into three basic categories: novels, stories, and essays.

A first excerpt of "Bless me, Ultima" will be read on Sunday November 16th at the West Hollywood Public Library at 4 p.m.

Location:
647 N. San Vicente Blvd., West Hollywood, CA, 90069

Info:
323.848.6534

This event is free and open to the public.

Light refreshments will be served.

Sunday, November 4, 2007

American Film Institute...allies with Philanthropy Project!



There was a celebratory air in the room.

Fastidious waiters circulated the room conspicuously, offering up scrumptious finger-food

At the open bar, the liquor flowed freely.

Guests excitedly tittered about this and that as the faces of AFI staff and organizers from the Philanthropy Project brimmed with wide smiles.

I half-expected a tuxedoed toastmaster to clink the side of a crystal glass with fine silver cutlery when the much-anticipated news was announced to industry-insiders in attendance at the rooftop lounge of the AFI Fest headquarters.

On the heels of an insightful rooftop TALK/SHOW on - "The Power of Film to Inspire Philanthropy" - the Director of the Philanthropy Project, Michael Guillen, announced there would not only be a partnership with the AFI Conservatory - but, that the fresh alliance - had already born its first fruits.

At a news conference the following week, the AFI and the Philanthropy Project would provide specific details about a newly-launched funding program, to award 10 Scholarships to promising film students each year.

Yes, this cub reporter - and proverbial Johnny-on-the-spot - brought the scoop to you before the other media biggies even got wind of it.

For the Philanthropy Project, the AFI is a great suitor.

In 1965, President Lyndon Johnson signed legislation in the Rose Garden at the Nation's Capitol - and with that mighty stroke of the pen - created the prestigious National Endowment for the Arts.

On that auspicious occasion, he noted for the record:

"We will create an American Film Institute that will bring together leading artists of the film industry, outstanding educators, and young men and women who wish to pursue this 20th century art form as their life's work."

Today, AFI is not only a National Institute that provides leadership in screen education, but a respected one that celebrates excellence in the art of film, television and digital media.

AFI trains the next generation of filmmakers at its world-renowned Conservatory, maintains America's film heritage through the AFI Catalog of Feature Films, and explores new digital technologies in entertainment and education through the AFI Digital Content Lab and K-12 Screen Education Center.

The annual AFI AWARDS also honor the most outstanding motion pictures and television programs each year.

In addition, by virtue of the AFI's 100 Years series, an extraordinary public interest in classic American movies has been ignited.

Today, AFI's Life Achievement Award is the highest honor bestowed on an artist in film.

 
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