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Showing posts with label SAG. Show all posts
Showing posts with label SAG. Show all posts

Tuesday, March 29, 2011

Screen Actors Guild...actors reach settlement in class-action! Union sued for Foreign Residuals!



If you performed in a motion picture, television program, or other audio-visual work - that earned foreign royalties - your rights as an actor  may be affected by a recent court-approved class action settlement.

On February 18th (2011), the Superior Court of the County of Los Angeles, approved a class action settlement in Case No. BC377780 (Osmond v. Screen Actors Guild, Inc.) and ordered that all actors affected be provided a copy of the "Judgment and Order" Granting the "Final Approval" of the Class Action Settlement.

Interested parties may view the document to determine their eligibility to be a part of the "class" by cruising over to SAG’s website.

http://www.sag.org/files/sag/documents/ClassActionNotice_2011.pdf

The lawsuit arose as a result of the collection and distribution of royalties (also known as levies) on blank DVDs and tapes in several foreign nations.

Various countries have adopted laws imposing royalties, which are designed to provide compensation to rights holders, including performers in motion pictures and other works.

The Plaintiffs (and each of them) alleged in their causes of action that the Screen Actors Guild failed to properly distribute foreign royalties to performers.

In their moving papers, SAG asserted that they acted appropriately in their capacity as Union Reps, handled all foreign royalties properly, and proceeded to vehemently deny all the subsequent allegations, in addition to pleading other defenses.

The settlement is not an admission of wrongdoing or an indication that any law was violated.

For further information, please contact SAG representatives at the following web address.

 http://www.sag.org/content/foreign-royalties

Telephone

(323) 549-6450

http://www.thetattler.biz



The ugliest Actor's Award in the biz!

Thursday, December 16, 2010

SAG Awards...touted amidst hoopla in Hollywood! Jeff Bridges, Jesse EisenBerg, Annette Bening nominated!














Today, the Screen Actors Guild announced their nominees for the 17th Annual SAG Awards.

Not my favorite-looking statuette, by any stretch of the imagination.

Don't expect a bunch of quarrelling actors in a troubled Union to get it right!

The red-carpet celebrations will be broadcast amidst a lot of hype & hoopla on TNT and TBS on Sunday, January 30th (8 p.m. ET).

The Shrine Exposition Center in Los Angeles will host the much-anticipated event.

At that high-profile event, presenters - on behalf of the Guild and its membership - will announce who won top honors for film cast (since SAG does not single out a film per se along the lines of other voting bodies such as the Oscars, the Golden Globes, etc.).

The nominees are "Black Swan," "The Fighter," "The Kids Are All Right," "The King's Speech" and "The Social Network."

In the celebrated arena of Theatrical film releases, the acting nominees for 2010 are:

Outstanding Performance by a Male Actor in a Leading Role

JEFF BRIDGES (Rooster Cogburn)
TRUE GRIT
(Paramount Pictures)

ROBERT DUVALL (Felix Bush)
GET LOW
(Sony Pictures Classics)

JESSE EISENBERG (Mark Zuckerberg)
THE SOCIAL NETWORK
(Columbia Pictures)

COLIN FIRTH (King George VI)
THE KING’S SPEECH
(The Weinstein Company)

JAMES FRANCO (Aron Ralston)
127 HOURS
(Fox Searchlight Pictures)

Outstanding Performance by a Female Actor in a Leading Role

ANNETTE BENING (Nic)
THE KIDS ARE ALL RIGHT
(Focus Features)

NICOLE KIDMAN (Becca)
RABBIT HOLE
(Lionsgate)

JENNIFER LAWRENCE (Ree Dolly)
WINTER’S BONE
(Roadside Attractions)

NATALIE PORTMAN (Nina Sayers)
BLACK SWAN
(Fox Searchlight Pictures)

HILARY SWANK (Betty Anne Waters)
CONVICTION
(Fox Searchlight Pictures)

Outstanding Performance by a Male Actor in a Supporting Role

CHRISTIAN BALE (Dicky Eklund)
THE FIGHTER
(Paramount Pictures)

JOHN HAWKES (Teardrop)
WINTER’S BONE
(Roadside Attractions)

JEREMY RENNER (James Coughlin)
THE TOWN
(Warner Bros. Pictures)

MARK RUFFALO (Paul)
THE KIDS ARE ALL RIGHT
(Focus Features)

GEOFFREY RUSH (Lionel Logue)
THE KING’S SPEECH
(The Weinstein Company)

Outstanding Performance by a Female Actor in a Supporting Role

AMY ADAMS (Charlene Fleming)
THE FIGHTER
(Paramount Pictures)

HELENA BONHAM CARTER (Queen Elizabeth)
THE KING’S SPEECH
(The Weinstein Company)

MILA KUNIS (Lily)
BLACK SWAN
(Fox Searchlight Pictures)

MELISSA LEO (Alice Ward)
THE FIGHTER
(Paramount Pictures)

HAILEE STEINFELD (Mattie Ross)
TRUE GRIT
(Paramount Pictures)

Each year, the SAG voting committee singles out Outstanding Performances by an Ensemble cast in the realms of TV Comedy and Drama.

For the 2010 calendar year, well-earned nods for dramatic bill-of-fare went to "Boardwalk Empire," "The Closer," "Dexter," "The Good Wife" and "Mad Men."

On the other side of the proverbial coin, nominees singled out for Outstanding Performance by an Ensemble cast in a Comedy were handed out to "30 Rock," "Glee," "Hot in Cleveland," "Modern Family" and "The Office."

Screen Actors Guild Awards 47th Annual Life Achievement Award

Ernest Borgnine, a seasoned pro - well-liked and admired in the acting community - has been bestowed with the honor of Lifetime Achievement Award this year.

Deservedly so!

http://www.thetattler.biz






Tuesday, October 19, 2010

Randy Quaid...arrest warrant issued! Squatter's rights unfounded...







Trouble appears to be following Randy Quaid (and his wife) around these days.

Once again, the B-list actor is in hot water with the courts.

What do the Orientals say?

May you live in interesting times!

If you recall, a scant few months ago  an arrest warrant was issued for Mr. Quaid, when he allegedly skipped out on a bill at a luxury Hotel and left red-faced managers holding the proverbial bag.

Quaid must have coughed up the dough for the room service tab and back-rent due, though, because he was free as a bird once again.

The shocking word out of Hollywood now?

Quaid may be broke and homeless.

Recently, the talented actor - with a half-a-dozen-or-so box offices successes under his belt - was caught (and charged) with illegally camping out in a guest house of a property he once owned.

After-the-fact, a Judge issued an arrest warrant for Quaid when he failed to appear before the bench, to answer to the allegations.

Too embarrassed to show your face, Randy?

Maybe his sensible brother, Dennis, should step in and offer some support.

Or, does he follow biblical wisdom?

I am not my brothers's keeper.

Amen!

Randy, if you're strapped for cash - or need assistance - contact the Screen Actors Guild (or AFTRA).

Maybe the actor's fund can offer up some relief temporarily during your financial crunch and legal snafu.

Worth looking into, anyway!

http://www.thetattler.biz/


\


Dennis the brother with all the brawn & brains?

Wednesday, September 29, 2010

The Hobbit...Actor's Unions boycott production! Scab labor...



Actors defiantly strike back!





AFTRA (American Federation of Television & Radio Artists) hastily e-mailed alerts out to the membership yesterday afternoon urging a boycott of "The Hobbit'.

The producers of the fantasy flick - slated to shoot next  year in New Zealand - have refused to enter into meaningful contract talks with performers or their representatives.

Although FIA (International Federation of Artists) negotiators have been patient - and persisted in their good-faith efforts to reach an amicable agreement that is equitable to both parties (actors & producers) - the filmmakers have continued to dig in their heels and thumb their noses at the Entertainment Unions.

For this reason, the FIA has recommended an immediate call to action.
In response, AFTRA has issued a directive that members of - Actors Equity Association (AEA), the American Federation of Television and Radio Artists (AFTRA), Canadian Actors Equity, Screen Actors Guild (SAG), Equity UK, the Media, Entertainment & Arts Alliance (MEAA) and the Alliance of Canadian Cinema, Television and Radio Artists (ACTRA) - turn down gainful employment on the non-union production.

To cover their bases, AFTRA also notified Talent Agents that - pursuant to AFTRA Regulations that govern Talent Agents and performer representation - they are barred from engaging in talks for talent services in respect to work on "The Hobbit".

Tattler readers are probably keen to the fact that I am a Union "man" all the way - with memberships in AFTRA and SAG - and that I wholeheartedly back the proposed boycott of "The Hobbit" project.

About FIA

The International Federation of Actors (FIA) represents performer unions in 100 countries around the world and includes participation by the American Federation of Television and Radio Artists (AFTRA), American Actors Equity, the Alliance of Canadian Cinema, Television and Radio Artists (ACTRA), Canadian Actors Equity, Equity UK and the Media Entertainment & Arts Alliance (MEAA), and the Screen Actors Guild (SAG).




Brass at Studio given the heave-ho!

Sunday, August 22, 2010

Ernest Borgnine...SAG Lifetime Achievement Award! "Marty" actor energetic at 93!




The face that only fans could love!




Seasoned pro, Ernest Borgnine, will be honored with a Lifetime Achievement Award by the Screen Actors Guild.

Borgnine is probably best-known to film fans around the globe for his remarkable portrayal of  “Marty” (in the movie of the same name) which landed him a coveted Oscar and immortality in the annals of show biz history.

Amazingly, the respected actor is still going strong at 93 years of age, while my bones are starting to creak!

The President of the Screen Actors Guild - Ken Howard - hailed Borgnine’s gifts and conjectured about his long-standing success in the industry over the decades.

"Whether portraying brutish villains, sympathetic everyman, complex leaders or hapless heroes, Ernest Borgnine has brought a boundless energy which, at 93, is still a hallmark of his remarkably busy life and career."

I expect that adaptability also figured into the picture, as well.

In spite of boasting appearances in 200 movie roles, Borgnine did not sit back on his laurels and grumble like some of his contemporaries when the age of  Television was ushered in.

In fact, shortly after the charismatic actor made the transition to TV in the 60’s, he landed a role on McHale's Navy that rustled up a whole new fan base for the formidable talent.

More recently, Mr. Borgnine was nominated for an EMMY for a role he seamlessly  played with exacting precision on the popular night-time TV drama "ER".

Borgnine’s Award - for achievement and contributions to the industry - will be presented at the next SAG awards ceremony in January 2011.

See 'ya there, Ernie!


Tuesday, February 3, 2009

Screen Actors Guild...Rosenberg lawsuit rejected by Court. Power-plays continue...

Superior Court Judge tells Rosenberg no deal!


A monkey wrench SAG President Alan Rosenberg threw into pending SAG contract talks with producers was tossed back into his lap today by a Superior Court Judge.

Alan Rosenberg (SAG Guild President) and Anne-Marie Johnson (Guild 1st Vice President) filed a lawsuit against SAG this past week, seeking to reinstate Doug Allen (who was relieved of his duties as the Union's Chief negotiator) and to reconstitute the Guild's former negotiating committee.

The SAG board fired Allen last month on the grounds that he was mishandling negotiations with the studios.

Former SAG General Counsel David White was installed in Allen's place and is currently acting as interim Executive Director alongside John McGuire who was named the Union's new chief negotiator.

On the heels of the controversial White/McGuire power-play, the SAG board also disbanded the Union's negotiating committee (dominated by Allen's supporters) and appointed a new task force in their place.

According to Alan Rosenberg and his supporters, the move was not only "unwarranted" but "undemocratic" in nature.

To many Guild Members, ousting Doug Allen and the negotiating team amounted to "written assent" - which they allege - violated the California's Corporate Code.

Hence, the lawsuit to nullify the ousting of Allen and the negotiating team.

Talks with producers were scheduled to continue this week, but were suddenly halted due to the unexpected legal proceeding.

Attorneys for SAG appeared in Los Angeles Superior Court this morning to respond to the Plaintiffs' lawsuit.

After hearing arguments from both sides, the Court found that the lawsuit was procedurally defective and refused to issue an injunction requested by the Plaintiffs.

In response, Plaintiffs’ counsel stated their intention to amend their documents and resubmit the paperwork for further review by a Superior Court Judge on Thursday, February 5th (2009).

The Guild and its attorneys have vowed to attend the court hearing and present a vigorous defense.

David White, acting interim Executive Director of the Guild, fired off an e-mail to me this evening in which he underscored the importance of continuing talks with producers as quickly as possible so that a fair contract may be negotiated for SAG members.

Once the legal issues are resolved, that is wholly possible.

In the meantime, the Guild will continue to work in the service of its members, with focus, dedication and commitment," White concluded confidently.

http://www.julianayrs.com

Monday, April 14, 2008

SAG...to vote down elitism? Ben Affleck, Kevin Bacon, Ethan Hawke, shame on you!

He that brings home the bacon, votes!


When the news broke that Kevin Bacon, Ethan Hawke, and Ben Affleck signed a petition - along with fourteen hundred other disgruntled actors in the union - to bar members working less than one day a year from voting on upcoming contract negotiations, my reaction was,

"Shame on you, folks!"


Imagine the audacity of those elitist bozos!
In a nutshell, these hyperactive thespians argue that if actors aren't working regularly, they may be inclined to support a walkout by actors if it comes to a show down over contract issues in June.

Baloney!

Sure, performers have a run of unemployment on occasion; in fact, a drought may span over a few years. That is the nature of the beast!

Flying high in April, shot down in June.

Don't kick a dog when it's down, dudes!

If the "Rebel 1400" had their way, SAG would become a cast system, rife with 1st and 2nd-class citizens. Bad move!

Sorry, guys. All actors were created equal!

If you ask me, this handful of upstarts have been wolfing down too many sprinkly-faced doughnuts at craft service in the morning - and as a consequence - their brains have rotted away from the deadly sugar rush!

Currently, any member in good standing can vote on upcoming contracts. And so, the tradition should remain.

I bet the producers are rubbing their hands with glee on the sidelines.

Never heard of the old phrase,

"Divide and Conquer?"

Too much junk food, rotting their brains!

Saturday, April 12, 2008

Young and Restless...streams episodes on WWW for 35th Anniversary!








After 1,000 weeks of ongoing drama, sizzling sex scenarios, and bizarre plot twists, the ever-popular daytime soap - "Young and the Restless" - celebrated its 35th Anniversary this year online.
That was good news for a handful of actors, sure to be checking their mailboxes for residual payments, in coming months.

Because the daily serials broadcast a new episode each day, performers don't generally anticipate much in the way of additional pay-outs, since the sequential story lines are rarely aired a second time.

Life is not a dress rehearsal; likewise, on a soap you get one shot at it, too.

Of course, there are a couple of exceptions.

If a segment is used in a flashback or an episode is aired overseas months after the chapter broadcasts stateside (some serials are trailing behind the U.S. airwaves because they were picked up a year or two after production began in the U.S.) there will be extra compensation for use in that market.

The sums are paltry, though; a few cents here, a few dollars there.
Basically, lunch money!




Now, you know why AFTRA and SAG (the two entertainment unions) have been kicking up such a fuss about residuals in recent days and have been hagglin' over 'em in the new contract negotiations.

When most of the soaps were originated, no one fathomed the idea of podcasting, or streaming video.

In fact, rich media was beyond the Union's realm of imagination.

And, who knows what's ahead.

But now, actors may have hit the bull's eye.

You see, the powers-that-be at Y & R, elected to celebrate the show's popularity and success by streaming segments online for nostalgic fans who want to take a trip down memory lane and reminisce about the early machinations of their favorite divas and rogues.
Now, soap opera die-hards can either tune in to CBS.com to catch 'em or surf to cable's SoapNet for a gander.

In addition, classic clips and episode recaps will be posted on The Minisode Network, which can viewed on YouTube, Crackle.com, Verizon, AOL Video, Gaia Online and Joost.


Soap teasers will be flirting, floating, and flitting all around the world- wide-web, to the joy of those who pine to bathe in the glow of their must-see soap on a daily basis.

Robert Oswaks, Exec VP of marketing at Sony Pictures Television, notes that blogs are of paramount importance in the scheme of things, too.
"Blogs are a tool for reaching fans," he notes, "The show's makers work closely with top soap news sites, which have become evangelists for us."

And, Christine Fix, editor-in-chief and Senior Producer of Soaps.com notes that fans are always looking for a consistent source of reliable information regarding their favorite sudsy dramas. Soaps.com draws a staggering 1 million visitors a month, while MovieWeb.com snags about 900,000.

That's a lot of bubbles!

Actually, I was cast to work on Young and the Restless back in the nineties.

Although I played a lowly waiter, my scene was important (yeah, I know, every actor claims that there are no small parts, only small actors!) because I delivered a message which bore all-important news about the arrival of a child.

A pivotal twist in the plot line!

I recall the booking well.

Although I didn't have my own dressing room, I shared the cozy little cubby-hole with just one other thespian. That's a fancy term for actor, by the way.

In case you weren't aware of it, when an actor has only been bestowed with one line, he wrestles with endless possibilities in his mind.

Should I say it this way or that?

When fate hands you a golden opportunity to show your stuff, you've got to get it right, after all!

A method actor might ask, "What is my motivation?"

Or, try to fathom the subtext.

Maybe the waiter in the scene got ticked off with a previous guest, so now's he annoyed, and in a huff?

Then again, maybe he's one of those snooty waiters bent on spoiling someone's romantic dinner date, just for the heck of it.

A handful of servers are "gay", so why not play it that way?

'Ya know, affect a little lisp, let the wrists flap around a bit.

Boy, it's terribly frustrating trying to get a handle on a walk-on part, believe me.

"They just want the line," the other actor whined at me pointedly.

"This is not your shot at stardom, you know," he hissed at me.

Then, just as I was about to go on stage and deliver my gem, he revealed his true colors.
"If you screw it up, they'll give the line to me."

Oh, how - "All About Eve" - of him.

My first taste of competition and jealousy in the industry.

I had one lousy little line to sputter, and this clown was trying to throw me off, so I would trip up and ruin my moment in the sun.

But, when that time arrived - about twelve hours after arriving at the CBS studios - I swaggered in on cue and uttered the words like a pro.

With little more ado, the second A.D. barked:

"Ok, let's move on."

Not even a second take? Oh well, that's show business.

Bottom line, the soaps are a "factory", just turning out product each day.

You have only to review the stats on the "Young and Restless" to figure that out.
The number of scripted pages written over the years by a team of professional writers?
An amazing 620,175.

And, some of those storylines included blessed nuptials; in fact, there were 77 walks down the aisle in total.

But, did all the loving couples make it to the altar to swear - "I do"?

Of course, the makeup folks had to pretty everyone up each day; in order to carry out that tall order, 133,000 powder puffs were used over the years.

Me? I don't recall being swiped by one.

And, after the stars and day-players were primped and preened up proper, they were squeezed into an astounding 128,625 custom-made costumes.
No wonder wardrobe staff breathe a sigh of relief when an actor can contribute his own clothes to a fitting.

In my instant case, I provided my own black dress slacks and snappy designer shoes for the waiter gig; which they paired up with a tasteful jacket cinched in at the waist - with a wide padded shoulder.

Veery flattering for my physique, I must say!

Of course, when folks stand around on stage, they gulp down coffee.

On the Y & R sets, they swilled down 166,250 gallons of it on the sidelines as dramas unfolded.

And, just imagine what it took to capture all the scintillating images and ongoing daily fluff.
2,210 video tapes were gobbled up annually to facilitate that task.

Over the years I've worked with a number of props - some novel - others not.

On this popular soap, the most obscure one was a freeze-dried tarantula.

Wonder if they've ever used a whoopee cushion or a cod-piece?

Well, someone in production would know.

Do tell!

Tuesday, April 1, 2008

Bold & Beautiful...the "Blond and the Bad"; set the greedy b**tards adrift!


Well, guess 'ya heard, our two sisters unions are in a big cat fight right now over jurisdictional turf!

This past week my e-mail box has been rattled by missives from the administrative heads of SAG and AFTRA, respectively, begging for support.

A bitter dispute, but there will be a resolution, no doubt.

Traditionally SAG maintained jurisdiction over all productions that were shot on film; while AFTRA kept a vigil over projects taped on video.

The three camera video process first developed by Desi Arnaz for the long-running comedy - "I Love Lucy" - is generally used for the Soaps, TV Sitcoms, and News Broadcasts.

However, a few years ago, shows like "Cheers" - although 3-camera in nature - started using film to rustle up a higher quality image for a more sophisticated night-time audience.

The sad part - for performers anyway - is that working on a project that falls under the AFTRA contract usually means less pay. Hence, the reason actors prefer the more prestigious offerings that come SAG's way.

Of course, in recent years - what with run-away production and industry expansion into Cable, Music Videos, Reality TV, and Internet rich media - AFTRA and SAG have become more competitive about the pickings; hence, the current bitter dispute which is a major departure from the past amiable stance of the two entertainment heavies.

I was quite galled, though, when I learned that part of the recent upheaval was due to the fact a posse of spoiled actors over on the "Bold & Beautiful" suddenly decided to entertain the ludicrous notion of jumping ship (fleeing the AFTRA camp) to take wing under the SAG umbrella for purely selfish greedy motivations: bigger bucks!

You know, I've always referred to that dim-witted show - deservedly so - as the "Blond & the Bad".

For good reason; after all, I know from whence I speak.

When the daytime soap first started up, a storyline featuring a catering company was crafted around one of the young nubile leads, Brooke. For several weeks, I played one of the caterers in the tawdry slow-moving subplot which went nowhere fast.

Yeah, life's a drag for the rich in Malibu, you bet!

What astounded me most were the temperaments of the young stars, who - for the most part - were dredged-up out-of-the-blue with little or no acting experience or newly-minted from some dismal acting academy east of La Brea, somewhere.

In all the years I've been in the "biz" I've rarely encountered such "ATTITUDE" among a regular cast of featured players, a lack of empathy for fellow actors, and an overall lack of professionalism.

Talk about a disregard for others; Ron Moss (Ridge) acted like he owned the show.

But, Susan Flannery - who plays the part of the matriarch to the hilt - was the absolute worst! Rarely ever content, she often haggled with the director - and more-often-than-not - threw her weight around which was considerable.

In fact, the tensions were so high on the set you could cut through 'em with a chainsaw, just maybe!

The soap tattlers are tittling that Flannery may pack it in, retire. Good riddance!

But, the problem was not just in front of the camera.

Shortly after the sweet casting gal Jill hastily departed to marry a rock musician, some mousy little secretary by the name of Christie Dooley crawled out from under a rock to take her reins.

After that, I never worked on the show again. Cast out, like a leper!

I have a theory that she didn't want people around who were witness to her humble beginnings; after all, the low-life schemer was inclined to weave some grand plans of her own!

In a short while - in spite of the fact she lacked the credentials - she was actually conducting acting classes and workshops for struggling actors in the Hollywood area.

Talk about the blind leading the bland.

For twenty bucks or so she'd rent herself out to actors. But the truth of the matter is that most thespians regarded her coaching skills with disdain.

If the truth be known, actors were only signing up to charm her pants off, with the specific aim of landing a plum role on the show.

Of course, Ms. Dooley was wise to the game; she not only played it to the max, but lined her sow's purse with their cash and laughed all the way to the bank, as well.

The acting workshop "scam" is one of the oldest in the business and is generally frowned upon by Agents and Union Officials in particular.

Frankly, I was appalled that head honcho William Bell - the respected producer of "B&B" and "The Young & Restless" - didn't cut her loose.

I mean, it reflected so negatively on CBS and the soaps produced there and industry standards, at best.

So, of course, look who ended up on the show?

A non-charismatic cast of no-talents.

Go figure!

I say, cut the greedy b**stards loose, and set them adrift.

We need unity in our profession now, not petty outbursts from prima donnas, with little regard for what's best for the Industry and the solid traditions of Hollywood.
 
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