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Showing posts with label Brokeback Mountain. Show all posts
Showing posts with label Brokeback Mountain. Show all posts

Wednesday, June 15, 2011

Brokeback Mountain...staged reading in West Hollywood! Out West Series!






The phenomenon of "Brokeback Mountain" continues!

The City of West Hollywood will present an expanded version of "Beyond Brokeback" with a staged reading of messages, essays, poetry, and music inspired by the award-winning ground-breaking film directed by Oscar-winner Ang Lee.

The event is slated for June 25th and is funded through the Arts & Cultural Affairs Commission, the Lesbian and Gay Advisory Board, and Out West 2011.

The event is sponsored under the auspices of  the One City/One Pride Series.


The event is free and the public is welcome to attend.

No reservations are required.

INFORMATION


http://www.weho.org/pride


"Beyond Brokeback" was first developed and performed at the Autry National Center last December as part of its acclaimed "Out West" at the Autry series and in commemoration of the 5th Anniversary of release of the film "Brokeback Mountain".

"Beyond Brokeback" was most recently performed by the Theatre and Dance Department of the University of Wyoming in Laramie for the Shepard Symposium on Social Justice in April and is scheduled to be presented by Chicago’s Roosevelt University in its 3,700 seat historic Auditorium Theatre on November 13th (Director/David Zak).

"Beyond Brokeback: A Staged Reading with Music" was adapted by "Out West" at the Autry creator and producer Gregory Hinton from the 2007 book "Beyond Brokeback: Impact of a Film" written by Members of the Ultimate Brokeback Forum website (culled from over 500,000 posts).

Excerpts of poignant and humorous messages, essays, and poetry (by writers young and old, male and female, gay and straight ) will be interpreted by six readers.

Original songs from the CD “Meet Me on the Mountain” - inspired by the film (written by acclaimed Los Angeles Master Chorale singer/composer Shawn Kirchner) - will also be performed by Kirchner and readers Alice Kirwan Murray, Marlene Head and Michael Butler Murray.

Other readers include Lydia Nibley and William Handley.

DATE

Saturday, June 25, 2010 7:00 P.M.

LOCATION

Fiesta Hall in Plummer Park
1200 North Vista Drive
West Hollywood, CA
90046

See 'ya there!

http://www.thetattler.biz





Two hunky heart-throbs a gay fantasy couple!



Sunday, April 3, 2011

Source Code...Hitchcockian-style thriller! Jake Gyllenhaal excels!





 





This weekend, film buffs - and fans of actor Jake Gyllenhaal - will be scooting off to the local cinema to catch the sexy hunk's latest flick "Source Code".

If fans are anxious to feast on the stud's muscled bod once again - after getting an eyeful of his pumped flesh in one of  his last features with Anne Hathaway - they'll be SOL.

Uh-huh!

The star who broke into the International spotlight portraying a gay cowboy in Ang Lee's "Brokeback Mountain" - opposite Heath Ledger - may disappoint in that regard.

But, if movie-goers are intrigued by the idea of a thought-provoking cerebral thriller (prone to play havoc with the preconceived notions about fate, reality, and illusion), then this Hitchcockian-style mystery (mind-bender!) is worth the price of admission.

The plot moves along at a fast clip (without much fat), the cinematography is superb, and the special effects entertaining.

Jake, and his talented cast of supporting players, are at the top of their game here.

For the most part, the stylish well-crafted studio project has been garnering pretty positive reviews.

With one exception, however.

Critics tend to whine that the plot is a little convoluted, difficult to fathom - and, that the ending - is ambiguous.

Did those popcorn-loving movie reviewers stroll into the wrong theatre by accident?

In my mind's eye, the screenwriter struck the right balance, and delivered up a tight taut celluloid gem.

And, achieved the unthinkable, in the process.

Indeed, the studio turned out a feature that explored not only new territory, but managed to do so without losing any commercial appeal for a wide demographic around the country sure to snap up tickets over the next few weeks.

My only criticism?

It was not necessary to "tack" on the last two scenes - and thus - spoon feed the audience to "ensure" all the loose strings were tied up in a neat and tidy package.

With an intelligent offering like this, it was not necessary to treat the ticket-holders like they were stupid, in my estimation.

We got it! 

To go into details would only spoil it for 'ya.

'Til next time at the Movies!

http://www.thetattler.biz




May the Source Code bewitch you!

Saturday, December 4, 2010

Brokeback Mountain...5th Anniversary Screening @ Gene Autry Center!




On Saturday, December 11th, the Autry National Center will present a special 5th Anniversary special Screening of the award-winning film Brokeback Mountain (Focus Films).

After the screening, there will be a staged reading of messages, essays, poetry, and music inspired by the film.

The ground-breaking film explored the clandestine relationship between two young cowboys - portrayed by Jake Gylenhaal and Heath Ledger - coming to grips with their homosexuality in the ruggest western terrain.

The event is part of the acclaimed program - "Out West" at the Autry - which is a series of public events focusing on lesbian, gay, bisexual, and transgender (LGBT) history and culture in the West with gallery talks, film screenings, lectures, performances and other cultural events.

"Brokeback Mountain helped to bring wide attention to important conversations about LGBT issues in modern Western communities,” noted Autry President and CEO Dan Finley.

“This powerful film resonates deeply with the Autry’s own strong connection to the history of Western films as well as our mission to share and explore the inspiring stories of all the peoples of the American West.”

Brokeback Mountain was produced and released by Focus Features in December 2005.

Directed by respected director Ang Lee who won an Oscar for his efforts.

See 'ya there!

Info:

www.theautry.org




Sunday, May 9, 2010

Prince of Persia...Jake Gyllenhaal macho promo shot!








He looked hot as a studly cowboy in "Brokeback Mountain".

And now, Jake Gyllenhaal is ready to take the country by storm in a swarthy muscular persona, as the Prince of Persia.

But, honestly folks, what gives with that promotional poster for the action-adventure flick?

Did the popular heart-throb actually pump up a tad - almost-burn to a crisp under a sizzling mid-say sun to rustle up those dark brooding looks - or is it all just a clever "smoke-and-mirrors" paste-up courtesy of the publicity department at the studio designed to sell tickets?

Inquiring minds (and die-hard fans of the hunk) want to know!

News @ 11!


Sunday, December 6, 2009

Gene Autry Museum...Out West series to explore gay cowboys & Brokeback Mountain! Kenneth Turan to panel discussion...

Western Shirt worn in Brokeback Mountain








This week, the Autry National Center will explore the LGBT Community in the American West with the launching of an Inaugral "Out West" Series on December 13th (3 pm - 5 pm).

Admission is free.

"What Ever Happened to Ennis del mar?" (as seen through the eyes of the film Brokeback Mountain) is the first in the "Out West" Series which includes the participation of Los Angeles Times film critic Kenneth Turan.

One of the major sponsors is HBO.
The Autry National Center, the first major American museum to recognize the contributions of the lesbian, gay, bisexual, and transgender (LGBT) community to the American West, proudly announced recently that the series of programs are scheduled to take place over the next twelve months.

The intriguing forays will feature Western scholars, authors, artists, politicians, musicians, and friends of Western LGBTs in discussions and gallery talks at the Autry.

In the future, the Autry expects a fully-fleshed-out program that is not only thought-provoking and insightful, but far-reaching.

Ideas for upcoming events include up-close looks at LGBT Native Americans, LGBT rodeo culture, LGBT political strides (including the struggle for marriage equality) and LGBT contributions to the Western arts.

“What Ever Happened to Ennis del Mar?” is a much-anticipated kick-off program in the "Out West" series.

"When Gene Autry issued his ten-point Cowboy Code in the 1940s, he could not have anticipated the story of Ennis del Mar and Jack Twist, but the messages of tolerance, fairness, and integrity the Code promotes speak to the acceptance for which the Brokeback Mountain characters longed," an Autry representative noted in a press release recently.

Their story is the departure point for first panel discussion to launch next weekend at the Autry.

Scheduled for December 13 in the Wells Fargo theater, the panel will be moderated by Virginia Scharff, author and professor of history/director of the Center for the Southwest at the University of New Mexico .

The program focuses on the representation of homosexuality in the West (before, during, and after the era depicted in the movie) and explores the Academy Award–winning film’s significance in renewing the Western film for contemporary audiences.

Panelists will also discuss Brokeback Mountain’s impact as a pop-cultural milestone pointing to larger societal conflicts - such as the “red state/blue state” schism that mirrors rural and urban demographics - a divide that often commpels LGBT Westerners to reluctantly abandon rural homes in search of more inclusive enclaves in larger urban areas.

The panel includes Los Angeles Times and NPR film critic Kenneth Turan; Peter M. Nardi, Ph.D., author and professor of sociology at Pitzer College; and William Handley, associate professor of English at the University of Southern California and editor of The Brokeback Book (forthcoming).

"We are proud to be a sponsor of Out West,” said Michael Lombardo (President of Programming and West Coast Operations @  HBO).

"The Autry National Center is to be commended for shining a spotlight on the contributions of the LGBT community to the history and culture of the American West. As a major Western cultural institution, they have taken the lead in engaging contemporary LGBT issues in an unprecedented forum. We wish them continued success with their extraordinary programming mission."

Conceived by Gregory Hinton, consulting producer for the series, Out West was inspired not only by the Autry’s recent installation of the iconic shirts worn by Heath Ledger and Jake Gyllenhaal in the film Brokeback Mountain but also by the permanent inclusion of the International Gay Rodeo Association's (IGRA) archives into the Autry Library (both facilitated by Hinton).

Mrs. Gene Autry presided over a launch event in August 2009 celebrating the loan of the shirts from collector Tom Gregory, who won them at a charity auction and shared Hinton’s vision for using them toward a greater good.

At the installation of the iconic shirts, the Autry National Center’s President and CEO John Gray enthusiastically asserted:

"The American West is a place for all of us, and all of us have a place in the West."

“For me,” said Gregory Hinton, who was born in Montana and raised in Wyoming , “the Out West series at the Autry National Center, and all of the experts and participants involved, underscores the need for gay men and women who leave their rural communities to reclaim their country heritage. They may find safety and companionship in cities, but they leave behind a spirit and a connection to the land that cannot be replaced. For those of us who come from the West, it’s in our blood and never lets us go.”

The Out West series at the Autry National Center is made possible through the generous support of Tom Gregory, HBO, the Gill Foundation, and the Small Change Foundation, in association with the Gay and Lesbian Alliance Against Defamation (GLAAD), the Human Rights Campaign (HRC), and the Courage Campaign.

Panel Moderator

Virginia Scharff is professor of history and director of the Center for the Southwest at the University of New Mexico .

Her scholarly works include Taking the Wheel: Women and the Coming of the Motor Age (1991); Twenty Thousand Roads: Women, Movement, and the West (2003); Present Tense: The United States Since 1945 (1996); Coming of Age: America in the Twentieth Century (1998); and the edited volume, Seeing Nature Through Gender (2003).

She is the Women of the West Chair at the Autry National Center in Los Angeles , and a Fellow of the Society of American Historians, and was the Beinecke Senior Research Fellow in the Lamar Center for Frontiers and Borders at Yale University (2008-9). Scharff’s work-in-progress, The Women Jefferson Loved, will be published by HarperCollins in 2010.

She is also the author of four mystery suspense novels, written under the name of VIRGINIA SWIFT: Brown-Eyed Girl (2000), Bad Company (2002), Bye, Bye, Love (2004), and Hello, Stranger (2006).

Panelists

William Handley is an associate professor of English at the University of Southern California who teaches and writes on the literature and culture of the American West. He is the author of Marriage, Violence, and the Nation in the American Literary West, coeditor of an essay collection on Western authenticity, and the editor of The Brokeback Book, to be published around the fifth anniversary of Brokeback Mountain by University of Nebraska Press. He has also written on 19th-century anti-polygamy rhetoric and the contemporary rhetoric against gay marriage.

Peter M. Nardi, Ph.D. is professor of sociology at Pitzer College , a member of the Claremont Colleges. He is the author of Gay Men’s Friendships: Invincible Communities (Chicago, 1999); editor of Men’s Friendships (Sage, 1992) and Gay Masculinities (Sage, 2000); coeditor of Social Perspectives in Lesbian & Gay Studies: A Reader (Routledge, 1998); Growing Up Before Stonewall: Lifestories of Some Gay Men (Routledge, 1994); and In Changing Times: Gay Men & Lesbians Encounter HIV/AIDS (Chicago, 1997). He also wrote two textbooks in survey research methods and formerly served as co-president of GLAAD/LA, chair of the Lesbian & Gay Caucus of the American Sociological Association, and president of the Pacific Sociological Association.

Kenneth Turan is the film critic for the Los Angeles Times and NPR's Morning Edition, as well as the director of the Los Angeles Times Book Prizes. He has been a staff writer for the Washington Post and TV Guide, and served as the Times' book review editor. A graduate of Swarthmore College and Columbia University 's Graduate School of Journalism, he is the coauthor of Call Me Anna: The Autobiography of Patty Duke. He teaches film reviewing and nonfiction writing at USC and is on the board of directors of the National Yiddish Book Center . His most recent books are Doubleday’s Free For All: Joe Papp, the Public and the Greatest Theater Story Ever Told: the University of California Press ’s Sundance to Sarajevo : Film Festivals and the World They Made; and Never Coming to a Theater Near You, published by Public Affairs Press.

Consulting Producer (Out West) / Gregory Hilton

The son of a country newspaper editor, Gregory Hinton was born in Wolf Point, Montana, on the Fort Peck Indian Reservation. Raised in Cody , Wyoming , Hinton graduated from the University of Colorado at Boulder , which he attended on a creative writing scholarship.

 He is the author of four critically acclaimed novels, including Cathedral City (2001), Desperate Hearts (2002), The Way Things Ought to Be (2003), and Santa Monica Canyon (2007). All of his books are endorsed by the American Library Association’s Booklist, among other national reviews.

Hinton is also an independent filmmaker whose credits include It’s My Party (1996), which premiered at the Sundance Film Festival, and Circuit (2003), which received international theatrical distribution. For his fifth novel, Night Rodeo, Gregory Hinton participated in a 2009 Spring Residency at the prestigious Ucross Foundation in Wyoming .

The Autry National Center

The Autry National Center is an intercultural history center dedicated to exploring the experiences and perceptions of the diverse peoples of the American West. The Autry celebrates the cultures of the American West through three institutions on two Los Angeles campuses: the Southwest Museum of the American Indian in Mt. Washington; the Museum of the American West in Griffith Park; and the Institute for the Study for the American West, which comprises the Braun Research Library and the Autry Library and is headquartered in Griffith Park.

The hours of operation for Autry National Center ’s museum at its Griffith Park location are Tuesday through Friday, 10:00 a.m. to 4:00 p.m.

The Autry Store’s weekday hours are Tuesday through Friday (10:00 a.m. to 4:30 p.m).

The Golden Spur Cafe is open Tuesday through Sunday (9:00 a.m. to 4:30 p.m).

Saturday and Sunday hours for the museum & the Autry Store are 11:00 a.m. to 5:00 p.m.

The museum, the Autry Store, and the cafe are closed on Mondays.

Museum Admission

Adults
 $9.00
Students
 $5.00
Seniors
 $3.00  (60 years of age & older)
Children
$3.00  (3 -12 years of age)

Autry members, veterans, and children (1-2 years of age) free.

Admission is free on the second Tuesday of every month.

Info:  www.autrynationalcenter.org



Tuesday, August 11, 2009

Brokeback Mountain...Cowboy shirts on display @ Gene Autry Museum! Cherished wardrobe "Ruby Red Slippers" of this generation...



Gene Autry Museum explores all people of the American West



Recently, the Gene Autry Heritage Museum invited me to attend a much-anticipated press party (August 11th) for the unveiling of a display featuring two of the Cowboys shirts that were worn by the lead characters (Jack & Ennis) in the award-winning film - "Brokeback Mountain" - directed by Ang Lee.

Unfortunately, the day for the event to put the spotlight on the iconic shirts has come, and I am unable to attend due to a back load of five or six posts that need polishing and subsequent publishing on the Internet.

I am there in spirit, though.

According to the public relations department at the Museum, the exhibit represents the LBGT community's struggle for safety and inclusion in the rural western communities from where many originate yet often feel forced to abandon.

The shirts are on loan from openly gay collector, producer, and sociopolitical commentator - Tom Gregory - who teasingly referred to the shirts worn by stars in the film as the"ruby red slippers" of this generation.

In my generation - "The Front Runner" - was the book that impacted young men struggling with their sexual identity and a prevailing attitude that yearnings for a homosexual relationship signaled a mental illness that was curable with appropriate treatment.

One Doctor (back in the fifties) argued that men flirted with "homosexuality" (the term gay had not been coined yet) - not because they were attracted to members of the same sex - but rather - because they were seeking their manhood (yet undeveloped in themselves due to an overbearing mother or the lack of a father figure in the home environment) in another male.

He theorized that once the individual was secure in his own masculinity, the unhealthy sexual phase would pass, and that the "once-confused" young male would move on to heterosexual relationships with women, start a family, whatever.

Meanwhile, between the covers of the "Front Runner", author - Patricia Nell Warren - put forth the notion that it was not only okay to be "gay" - but entirely appropriate - to shout it out.

The shocking climax in her subculture classic underscored, however, that there may be dire consequences in following one's heart.

I read the book years ago when I attended West Hill Collegiate in a Toronto suburb.

Because I was a long-distance runner on the track & field team, I was immediately drawn to Warren's book, for obvious reasons.

In fact, I day-dreamed about playing the lead character, the young runner.

The plot focuses on a gay coach (pre "out-&-proud" days) who transfers to a small University so that he may remain closeted about his homosexuality and free of temptation.

A young runner saunters onto campus, strikes up an intimate relationship with the reluctant lover, and with his mentor's expert coaching skills goes on to compete in the Olympics as the 1st openly-gay athlete.

Controversial stuff in those days!

Years later - during my stint as a Literary Agent representing screenwriters - it occurred to me that "The Front Runner" was ripe for adaptation for the big screen.

If two identifiable bankable stars signed on for the lead roles, it would surely be a box-office hit, in my estimation.

One one occasion, when I met Patricia Nell Warren at a Book Fair, I blurted out my once all-consuming-passion to play the lead when I was a young actor.

I stuttered for a moment, then made a confession to the startled writer.

"I'm too old to play Billy now. The Coach, maybe. But, I'm not right for that part."

She stared at me like I was mad!

Unfortunately, whenever it was announced there was a production in the works featuring a popular actor like Jan Michael Vincent (star material at the time his name was bandied about - who likewise - met the sexy hunk requirements) or Paul Newman (and yes - even straight-as-lace - Robert Redford) the gay community got revved up once again over the possibilities.

But, on each auspicious occasion, the projects fizzled out.

Today, the "Front Runner" has little relevance, except in respect to the fact it was one of the first gay-themed books on athletes "coming out" about their sexuality.

So, when it was announced that a short story about two studly cowboys entwined in a love trys, was being adapted for the silver screen, I was skeptical.

In fact, when I slipped into the theatre opening day, I did so with a lot of trepidation.

But, a short few minutes into the well-crafted beautifully-thought-out-feature, my fears were alleviated.

For instance, when the two lead characters in Brokeback (played by Jake Gyllenhaal & Heath Ledger) first encounter each other at a job site, the awkward love ritual that plays out thereafter onscreen - not only resonates with remarkable truth - but also speaks volumes about the love that once dare not utter its name.

The wardrobe pieces featured in the film weren't particularly fancy.

But, the shirts on display at the Gene Autry Museum, have been intertwined without shame to represent a "visual symbol of love", according to a Museum spokesperson.

Why the Gene Autry Museum?

Jeffrey Richardson, assistant curator for film and popular culture at the Museum, was instrumental in accelerating the idea for the project, once it was pointed out to him by a patron that the Autry Museum has always been celebrated and respected for exploring all people of the American West.

Now, Jack & Ennis - two love-struck cowboys portrayed on celluloid in Brokeback Mountain (and the symbol of their love) - are a part of that glorious Western folk lore.



Jake Gyllenhaal and Heath Ledger take leap of faith with Ang Lee

http://www.julianayrs.com

Tuesday, September 30, 2008

Heath Ledger...ReliaStar Insurance scam. PR strategy, bad!

ING financial services robs children of their legacies...



Everyone was shocked by the untimely death of actor Heath Ledger, especially in view of the fact mysterious intrigues surrounded his life, in the final hours.

After much wrangling, it's my understanding that the family agreed Mr. Ledger's three-year old daughter (Matilda Rose) should inherit the estate.

However, on the heels of his death, ReliaStar Insurance is balking at the prospect of paying out a life insurance policy to the young heiress in the sum of $10 million.

Although a New York Coroner's report found that Ledger died from accidental causes, representatives of ReliaStar are seeking to void the policy on the grounds that under the terms and conditions, the carrier is entitled to contest payment until it determines whether the actor acted in bad faith and/or committed suicide.

Since the New York Coroner's office issued a finding that the death was due to accidental causes - Ledger's legal counsel are accusing the carrier of engaging in stalling and delaying tactics - in a deceitful effort to "hold on" to the money longer.

In a counter argument, ReliaStar has hinted that Ledger may have not been forthcoming with regard to information he provided on the application for the policy.

In view of the fact Ledger made payments on the policy for over two years before he passed away several months ago - and no questions were raised during that time frame when the actor was alive- it does beg at least one question.


Why is are they contesting the facts now?

In my opinion, ReliaStar is making a big public relations mistake.

To snatch away the inheritance of a three-year old will obviously not bode well for their company.


By the way, is "relia" short form for "reliable", I wonder?

If so, how ironic!

Once the glaring spotlight falls on this "unreliable" insurance carrier - a division of the Dutch Financial Services "biggie" ING - I expect American consumers will turn away from their policies in droves.

Yup, ReliaStar is on the verge of a public relations disaster.

I'm hedging my bets on the "kid".

How 'bout you?

Friday, January 4, 2008

Homo...outdated "derogatory term"; parental influence?

Male eroticism in Brokeback Mountain




I was riding the Metro the other day when I heard a kid about twelve years old yell out to his friend, "homo!".

Gee, I haven't heard that term anywhere for years. Usually, when school children ride the local public transport, they snicker to friends, "he's gay".

So, it begs the question.

Where did the pimply-faced teen pick up the out-dated sexually-oriented terminology? From his parents, I surmise.

Of course, a "homo" is what you called a person of "same-sex" persuasion (some would label it "perversion") years ago. But a handful of folks got lazy - I guess - and short-formed homosexual to "homo" (it is a long word, you have to admit).

For those who were prone to slur the "s" (you know what that inferred) it was the perfect substitute.

Today, when one notes someone is "gay", it tends to suggest in a casual way what an individual's sexual leanings are. After all, the term "gay" sounds innocent - casual, less threatening - and washes away negative connotations.

In the old days, rough-necks (there's an old slang-term, too) called guys "queer"; the suggestion being, of course, that the practice of "homo" connecting was "strange", "odd", defying the laws of nature - whatever!

Curiously, it is a known fact the homosexuality (gayness) has been around for centuries; so, it makes one wonder - how did this queer idea come into our language in the modern day?

A few decades ago, guys who were "that way" inclined were said to be "light in their heels" - er - "loafers". And, in Hollywood circles, "musical" was the code word for an actor who might go down on another actor, engage in a little hanky-panky, and so forth and so on.

But, fag, well - that was most certainly a derogative term - for sure!

There is some etiquette afoot that says that only a fag may call a fag a fag. It's sort of like the "n" word; only those who are members of the "club" are permitted to use it, and it is sort-of accepted among the folks within its perimeters.

They've got some nasty words for gay women, too - dyke, for example.

But gay women - I mean, Lesbos - are so clever.

Instead of stewing in the athletic department over the name-calling, they leapt into action, and formed a motorcycle club.

On the heels of crowning their sorority on wheels - "Dykes on Bikes" - they proceeded to proudly roar through town in an annual parade, raise their fists to the madding crowds, and essentially taunt them with ***k you! - their National Anthem!

Yeah, it's no fun screwin' around with 'em.

But, gay folks have a few choice labels for straight folks that are inclined to sort-of rub salt in the wound, too - like, breeder! Disgustin', eh?

Whoa, Nellie!

Generally, these slang expressions are meant to hurt, are used in moments of anger, and intended to insult.

Pity, they're not used for the opposite - to teach, and make peace, and enlighten.

Suddenly, I recall an old childhood tune we'd sing around the school-yard.

"Sticks and stones may break my bones, but names will never hurt me."

Maybe more so, today, than in the dark queer days of our youth.

Dykes on Bikes

Friday, October 5, 2007

Ang Lee's "Lust, Caution"...epic sweep, a monument to film!

With much anticipation - excited filmgoers packed the Landmark Theater on opening night for arguably the hottest ticket in town: the unveiling of Ang Lee's espionage thriller "Lust, Caution".

A scant few years ago, Lee won an Oscar for directing the intimate tale of a couple of cowboys who romantically fall for each other in the critically acclaimed independent film "Brokeback Mountain".

Here, Lee takes a director's big-budget turn (and with an epic sweep) pulls off a monument to film.

The setting is during the occupation of Shanghai in 1942.

A large part of the melodrama unfolds in a tightly-controlled residential compound for high-ranking officials.

In the opening scenes a handful of elegant women chit-chat and play a hand of mah-jong.

Lee not only uses the clever story-telling device to move the story along, but to drop precious insightful clues along the way.

Without much fuss we are introduced to Mr. Yee - head of intelligence for the regime - and as such an enemy of the resistance.

The film's lens now sharply focuses on a plot by a troupe of theatrical players (secret card-carrying members of the resistance) to assassinate Yee as payback for atrocities committed against friends and family.

The magnetic female lead - Tang Wei - is ensconced in his midst undercover with the specific aim of luring Yee from his safe haven so her cohorts can carry out the dastardly deed.

From the offset Ang Lee artfully paints each precious frame from a rich palette distinctly his own.

With painstaking detail, he captures a bygone era in all its minute glorious detail.

There are many deft touches. In one particularly romantic scene, a popular tune of the day crackles on an old phonograph player in the deep background and qaintly falls upon the ears.

Other eye-catching flourishes around the room literally seduce us into Lee's alluring realm - at which point - there is no looking back.

The sets are lush, and likewise, the costumes are exquisite and outstanding.
Each meticulous element is magically weaved by virtue of Lee's keen extraordinary eye. The expert cinematography is so spell-binding, the audience is beholden to it.

The characters are artfully set in each scene - and then - skillfully maneuvered to maximum effect in what a mounts to an intense provocative round of all-or-nothing chess.

The end result?

The audience's sensibilities are subtly massaged with sly metaphors only the medium of film - and Ang Lee's invisible hand - could conjure up.

There are a number of explicit tantalizing scenes depicting raw sex, as well.

Here, the director walks a tightrope between high-art and soft porn.

To my artistic eye the brief foray is not exploitative at all, though.

Indeed, the voyeuristic peak into the never-never land of flesh and fantasy is more than that. In my own analytical mind, the scenario amounts to an intimate reveal of a psychological bondage which chronicles an undeniable mounting interplay of tensions often rooted in repression.

The auteur not only manages to expose the characters' innermost vulnerabilities - but at the same time - revel in a myriad of lustful potent moments which ultimately explore and conquer the innermost secrets of the heart that break the surface at times in a profound insightful way.

In essence, the scenes are a strident gaze into an unspoken language, that often binds two lovers; hindered by limiting social graces and a long-suffering desire for shelter from the storm.

Tony Leung Chi Wai is perfectly cast in the male lead and pulls off a multi-layered characterization with ease and flair.

He's a capable actor who can express deep pools of thought without gestures or techniques that draw attention to the craft.

Ms. Wei is positively luminous on screen.

The newcomer is fascinating to watch - especially during those memorable on-screen moments in her transformation from naive young schoolgirl to seductress - in the high-stakes world of espionage and intrigue.

Ang Lee's underlying theme appears to underscore that men do their duty in spite of their passions - while women are often swayed by their emotions - especially when romance saunters into their lives unexpectedly.

The director's masterpiece is flawed, however.

For example, in the first hour of the film, it's evident that the conspirators had ample opportunity to snuff Lee when he strolled up the front steps of the apartment house.

When the "motley crew" failed to seize the moment belief was suspended.

Also, the film is too long.

There's a lot of unnecessary footage of characters dashing - here and there - across busy streets. And, the movie is bogged down by boring shots of chauffeured autos purring up to curbs, then exiting just quickly, which don't make much dramatic sense.

With some judicious editing - "Lust" - would resonate louder, impact more fully.

But, Ang Lee is obviously a self-absorbed self-indulgent man. He'd undoubtedly respond negatively to the critique much like Mozart did to the King's suggestions in the film, "Amadeus".

For example, when court composers argued that Mozart's piece was too lengthy, the King turned to Mozart and barked something to the effect of,

"Too many notes. Cut a few".

Mozart was mortified.

Lee would be wise to take the editorial advice. After all, the rambling aspects - in some respects - diminish a potential masterpiece.

In sum, "Lust, Caution" cries out for a firm hand to put it squarely on the path to where it should be headed - on the top ten list - as one of the great films of the new millennium.

 
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