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Showing posts with label The Wrestler. Show all posts
Showing posts with label The Wrestler. Show all posts

Thursday, January 22, 2009

Oscar Nominations...few surprises! Nods to Button, Milk & Slumdog. Eastwood shut out, though...


There were few surprises when the Oscar nominees were announced bright and early this morning as the Nation struggled to survive an Obama hang-over from the night before.

"The Curious Case of Benjamin Button" garnered 13 nominations - some worthy - others not.

If you recall, "Benjamin Button" snapped up a gaggle of nods at the Golden Globes Awards, but walked away empty-handed at the end of the glamorous day.

There was at least one oversight in the Oscar run, though.

Clint Eastwood failed to nab any respect from the Academy for his acting chops in the newly-released drama, Gran Torino.

Pity that; after all, the down-to-earth actor's actor was deserving of a nomination.

Gran Torino represents a crowning achievement in acting after at least fifty fruitful years in the business.
(review to follow)

Speaking of male leads, nominees for Best Actor are Mickey Rourke (The Wrestler), Richard Jenkins (The Visitor), Sean Penn (Milk), Frank Langella (Frost/Nixon), and Brad Pitt (Benjamin Button).

Actresses nominted lead roles include Kate Winslet for a star-turn in "The Reader", fifteen-time nominee Meryl Streep for a stint in "Doubt", Ann Hathaway for her potrayal of an addict struggling with addiction in "Rachel Getting Married", Angelina Jolie as a distraught mother urging corrupt police to locate her missing boy in "The Changeling", and Melissa Leo as a desperate woman in "Frozen River".

The Academy is pinning their hopes on Hugh Jackman - sexist man of-the-hour - to inject new life into the Oscar celebration which is slated for broadcast next month on February 22nd at ground zero - the Kodak Theatre - in Hollywood, California.



Oscar Nominations

Best Picture

  • 'The Curious Case of Benjamin Button'
  • 'Frost/Nixon'
  • 'Milk'
  • 'The Reader'
  • 'Slumdog Millionaire'

  • Best Director

  • Danny Boyle, 'Slumdog Millionaire'
  • Stephen Daldry, 'The Reader'
  • David Fincher, 'The Curious Case of Benjamin Button'
  • Ron Howard, 'Frost/Nixon'
  • Gus Van Sant, 'Milk'

  • Best Actor

  • Richard Jenkins, 'The Visitor'
  • Frank Langella, 'Frost/Nixon'
  • Sean Penn, 'Milk'
  • Brad Pitt, 'The Curious Case of Benjamin Button'
  • Mickey Rourke, 'The Wrestler'

  • Best Actress

  • Anne Hathaway, 'Rachel Getting Married'
  • Angelina Jolie, 'Changeling'
  • Melissa Leo, 'Frozen River'
  • Meryl Streep, 'Doubt'
  • Kate Winslet, 'The Reader'

  • Best Supporting Actor

  • Josh Brolin, 'Milk'
  • Robert Downey Jr., 'Tropic Thunder'
  • Philip Seymour Hoffman, 'Doubt'
  • Heath Ledger, 'The Dark Knight'
  • Michael Shannon, ' Revolutionary Road'

  • Best Supporting Actress

  • Amy Adams, 'Doubt'
  • Penelope Cruz, 'Vicky Cristina Barcelona'
  • Viola Davis, 'Doubt'
  • Taraji P. Henson, 'The Curious Case of Benjamin Button'
  • Marisa Tomei, 'The Wrestler'

  • Best Animated Feature Film

  • 'Bolt'
  • 'Kung Fu Panda'
  • 'Wall-E'

  • Best Foreign Film

  • 'The Baader Meinhof Complex' (Germany)
  • 'The class' (France)
  • 'Departures'(Japan)
  • 'Revanche' (Austria)
  • 'Waltz With Bashir' (Israel)

  • Best Original Screenplay

  • Dustin Lance Black, 'Milk'
  • Courtney Hunt, 'Frozen River'
  • Mike Leigh, 'Happy-Go-Lucky'
  • Martin McDonagh, 'In Bruges'
  • Andrew Stanton, Jim Reardon, Pete Docter, 'WALL-E'

  • Best Adapted Screenplay

  • Eric Roth, Robin Swicord, 'The Curious Case of Benjamin Button'
  • John Patrick Shanley, 'Doubt'
  • Peter Morgan, 'Frost/Nixon'
  • David Hare, 'The Reader'
  • Simon Beaufoy, 'Slumdog Millionaire'

  • Best Documentary Feature

  • 'The Betrayal'
  • 'Encounters at the End of the World'
  • 'The Garden'
  • 'Man on Wire'
  • 'Trouble the Water'

  • Best Original Score

  • 'The Curious Case of Benjamin Button'
  • 'Defiance'
  • 'Milk'
  • 'Slumdog Millionaire'
  • 'WALL-E'

  • Best Original Song

  • 'Down to Earth,' WALL-E
  • 'Jai Ho,' 'Slumdog Millionaire'
  • 'O Saya,' 'Slumdog Millionaire'

  • Best Film Editing

  • Kirk Baxter, Angus Wall, 'The Curious Case of Benjamin Button'
  • Lee Smith, 'The Dark Knight'
  • Mike Hill, Dan Hanley, 'Frost/Nixon'
  • Elliot Graham, 'Milk'
  • Chris Dickens, 'Slumdog Millionaire'

  • Best Documentary (Short Subject)

  • 'The Conscience of Nhem En,' Steven Okazaki
  • 'The Final Inch,' Irene Taylor Brodsky, Tom Grant
  • 'Smile Pinki,' Megan Mylan
  • 'The Witness - From the Balcony of Room 306,' Adam Pertofsky, Margaret Hyde

  • Best Cinematography

  • Tom Stern, 'Changeling'
  • Claudio Miranda, 'The Curious Case of Benjamin Button'
  • Wally Pfister, 'The Dark Knight'
  • Chris Menges, Roger Deakins, 'The Reader'
  • Anthony Dod Mantle, 'Slumdog Millionaire'

  • Best Costume Design

  • Catherine Martin, 'Australia'
  • Jacqueline West, 'The Curious Case of Benjamin Button'
  • Michael O'Connor, 'The Duchess'
  • Danny Glicker, 'Milk'
  • Albert Wolsky, 'Revolutionary Road'

  • Best Sound Mixing

  • David Parker, Michael Semanick, Ren Klyce, Mark Weingarten, 'Benjamin Button'
  • Lora Hirschberg, Gary Rizzo, Ed Novick, 'The Dark Knight'
  • Ian Tapp, Richard Pryke, Resul Pookutty, 'Slumdog Millionaire'
  • Tom Myers, Michael Semanick, Ben Burtt, 'WALL-E'
  • Chris Jenkins, Frank A. Montaño, Petr Forejt, 'Wanted'

  • Best Sound Editing

  • Richard King, 'The Dark Knight'
  • Frank Eulner, Christopher Boyes, 'Iron Man'
  • Tom Sayers, 'Slumdog Millionaire'
  • Ben Burtt, Matthew Wood, 'WALL-E'
  • Wylie Stateman, 'Wanted'

  • Best Live Action Short Film

  • 'Auf der Strecke (On the Line),' Reto Caffi
  • 'Manon on the Asphalt,' Elizabeth Marre, Olivier Pont
  • 'New Boy,' Steph Green, Tamara Anghie
  • 'The Pig,' Tivi Magnusson, Dorte Høgh
  • 'Spielzeugland (Toyland),' Jochen Alexander Freydank

  • Best Animated Short Film

  • 'La Maison de Petits Cubes,' Kunio Kato
  • 'Lavatory - Lovestory,' Konstantin Bronzit
  • 'Oktapodi,' Emud Mokhberi, Thierry Marchand
  • 'Presto,' Doug Sweetland
  • 'This Way Up,' Alan Smith, Adam Foulkes

  • Best Makeup

  • Greg Cannom, 'The Curious Case of Benjamin Button'
  • John Caglione, Jr., Conor O'Sullivan, 'The Dark Knight'
  • Mike Elizalde, Thom Flout, 'Hellboy II: The Golden Army'

  • Best Art Direction

  • James J. Murakami, Gary Fettis, 'Changeling'
  • Donald Graham Burt, Victor J. Zolfo, 'The Curious Case of Benjamin Button'
  • Nathan Crowley, Peter Lando, 'The Dark Knight'
  • Michael Carlin, Rebecca Alleway, 'The Duchess'
  • Kristi Zea, Debra Schutt, 'Revolutionary Road'

  • Best Visual Effects

  • Eric Barba, Steve Preeg, Burt Dalton, Craig Barron, 'The Curious Case of Benjamin Button'
  • Nick Davis, Chris Corbould, Tim Webber, Paul Franklin, 'The Dark Knight'
  • John Nelson, Ben

  • http://www.julianayrs.com

    Sunday, December 14, 2008

    AFI...announces 10 best films & TV programs of the year!



    The American Film Institute (AFI) just announced the year’s most outstanding achievements in film and television.

    For those who are not familiar with the AFI Awards, each year a select jury consisting of respected professionals in the creative field, single out film and television ensembles to be honored as a whole.

    In essence, the tribute acknowledges the collaborative nature of film and television, and hands out kudos to artists both in front of and behind the camera.

    The AFI AWARDS were selected this year by virtue of a unique 13-person jury process which included scholars, film artists, critics and AFI trustees.

    During closed-door sessions, the discriminating team discussed, debated and determined the most outstanding achievements of the year.

    In addition, the committee - rightly so - provided a detailed rationale for each selection.

    Two AFI juries (one for motion pictures and another for television) convened in Los Angeles for two days of deliberations at the Hyatt Regency Century Plaza Hotel.

    The identity of the jurors remained confidential until yesterday, the day I received the news release from the office of publicist, John Wildman.

    The creative ensembles for each of the selections will be honored at a luncheon sponsored by Hewlett-Packard on Friday, January 9 (2009) at the Four Seasons Hotel in Los Angeles (CA).

    Start sweet-talking whoever you know at the AFI if you'd like to attend the prestigious affair; after all, the luncheon is by invitation only.

    Hewlett-Packard, an AFI sponor, created scholarships for the AFI Conservatory in conjunction with their support of the AFI AWARDS.

    The AFI Conservatory is world-renowned for its advanced training of the next generation of storytellers.

    "AFI AWARDS honors the community of artists who come together each year to create films and television programs of excellence. They are not competitors at an event, but colleagues, in a world that needs art and entertainment more than ever," commented Bob Gazzale, AFI’s President and CEO.

    The honorees listed in alphabetical order are:

    AFI MOVIES OF THE YEAR / OFFICIAL SELECTIONS

    The Curious Case of Benjamin Button, The Dark Knight, Frost/Nixon, Frozen River, Gran Torino, Iron Man, Milk, Wall-E, Wendy and Lucy, and The Wrestler.

    AFI TV PROGRAMS OF THE YEAR / OFFICIAL SELECTIONS

    Breaking Bad, In Treatment, John Adams, Life, Lost, Mad Men, The Office, Recount, The Shield, and The Wire.

    In the Motion Picture category, the jurors were Leonard Maltin (Entertainment Tonight), Jeanine Basinger (Wesleyan University), Mary Corey (USC), Mark Harris (author), Jim Hosney (AFI), Rick Jewell (USC), Elvis Mitchell (The Treatment), Danie Petrie, Jr. (writer/producer/director), Tom Pollock (producer/AFI Board of Trustees), Richard Schickel (Time), Vivian Sobchack (USC/AFI Trustee Emeritus, Anne Thompson (Variety), and Robert Towne (writer/director/producer).

    The AFI Jury for Television included Richard Frank (AFI Trustee Emeritus), Neal Baer (writer/producer), John Caldwell (USC), and Jean Picker Firstenberg (AFI President Emerita).

    Just a few short weeks ago, I attended the annual AFI Film Fest which was set amid the old world charm of the Roosevelt Hotel.

    For press reports and reviews of films check archives: http://www.julianayrs.com/

    AFI came into existence primarily due to the efforts of President Lyndon Johnson.

    The politician signed legislation in the Rose Garden at the White House in 1965 - and with that mighty stroke of the pen - created the prestigious National Endowment for the Arts.

    On that auspicious occasion, he noted for the record:

    "We will create an American Film Institute that will bring together leading artists of the film industry, outstanding educators, and young men and women who wish to pursue this 20th century art form as their life's work."



    AFI's original 22-member Board of Trustees included Chair Gregory Peck, Vice Chair Sidney Poitier, Francis Ford Coppola, Arthur Schlesinger, Jr., Jack Valenti and other representatives from the arts and academia.



    Under the leadership of AFI's founding director George Stevens, Jr., the institute established a training program for filmmakers known as the Center for Advanced Film Studies, where the first class included Terrence Malick, David Lynch and Paul Schrader.

    A repertory film exhibition program at the Kennedy Center for the Performing Arts and the AFI Catalog of Feature Films - the definitive source for American film history - were also created in the first five years.

    Today, AFI is not only a National Institute that provides leadership in screen education, but a respected one that celebrates excellence in the art of film, television and digital media.

    Under the leadership of Jean Picker Firstenberg (2nd AFI Director) the institute's eight-acre Hollywood campus was purchased and the film training program grew into the renowned AFI Conservatory and accredited graduate school.

    In essence, AFI trains the next generation of filmmakers, maintains America's film heritage through the AFI Catalog of Feature Films, and explores new digital technologies in entertainment and education through the AFI Digital Content Lab and K-12 Screen Education Center.

    The AFI AWARDS honor outstanding motion pictures and television programs annually.

    In addition, the AFI's 100 Years series, brought extraordinary renewed public interest in classic American movies.

    Today, AFI's Life Achievement Award is the highest honor bestowed on an artist in film.

    Honorees over the past 35 years have included John Ford, James Cagney, Orson Welles, Bette Davis, Billy Wilder, Sidney Poitier, Steven Spielberg, Martin Scorsese, Robert De Niro, Meryl Streep, George Lucas and Al Pacino.

    In November 2007, the AFI Board named Bob Gazzale (a film historian and television producer) the institute's President and CEO.

    The AFI has been major cultural force in this country for the past forty years.

    Monday, December 1, 2008

    Mickey Rourke...Oscar nod for the Wrestler!

    The young stud in old glory days...



    Undoubtedly, you're familiar with Mickey Rourke's film project, the Wrestler.

    In a nutshell, the story goes something like this.

    Although once a headlining Wrestler, Randy "the Ram" Robinson (Mickey Rourke) has hit the skids.

    The down-on-his-luck athlete manages to rustle up a few bucks here and there, though, performing for a handful of devout fans in high school gyms and community centers out on the East Coast.

    Relationships are a tough row to hoe for Randy - one with his daughter for instance - so he throws himself full-throttle into the illusionary glory of fight bouts.

    While basking in the short-lived adrenalin rush, he pines for a chance at the brass ring.

    A trouble spot in his health (a heart attack) forces him to recognize how precious life is.

    Although I was invited to the premiere at Mann's Chinese Theatre sponsored by the AFI last month, I sauntered over to the ultra chi-chi kick-off bash for the Danish Film Festival held amid the old-world-charm of the tony Roosevelt Hotel.

    Press pals who attended the Wrestler on my behalf were in accord about one thing.

    The fight pic was a downer.

    So, it's doubtful I'll be in the "mood" to catch it.

    However, this week when I attended a screening of "Milk", a trailer for the drama flashed up on the screen before the feature presentation.

    If the acting I witnessed onscreen that night in the clips is matched throughout the Wrestler, then I am inclined to take a gamble and note for the record - in spite of the fact I have not screened the drama in its entirety - that Rourke may get a nod from Oscar!

    No surprise!

    Every scene Rourke graced the screen in, sprang to life by virtue of a performance that was both moving and deeply honest.

    In fact, it's been a couple of years since I've encountered such a natural unaffected acting style that resonated with such truth.

    Rourke was a revelation!

    Now, let's hope his handlers don't fu** it up for him prior to the big night!

    Monday, November 17, 2008

    Gotham Independent Film Awards...NYC's prestigious festival for Indie Filmmakers! Honors Penelope Cruz! Nov. 20th - Dec. 6th



    To the delight of filmgoers who thrive on off-beat Independent feature-length films with Art House sensibilities, the Gotham Independent Film Awards Series returns to the "Big Apple" once again.

    The 18th Annual Fest - which kicks off November 20th and runs through December 6th - is the Nation's oldest and largest organization of independent filmmakers.

    For film buffs, Gotham is not only a must-attend Festival, but one of the social events of the year.

    In addition to a scintillating round of screenings throughout the week, there will be a host of glittering cocktail parties and tony Award Celebrations sure to intoxicate and swell any pretty little head.

    Gotham Award Tributes go out to Gus Van Sant, Sheila Nevins, Melvin Van Peebles, & actress Penelope Cruz.

    The nominees for Best Feature include Ballast, Frozen River, Synecdoche (New York), The Visitor, and the Wrestler (Micky Rourke).

    A handful of exceptional directors have been given the nod in the "Breakthrough Director" category, as well; for instance, Barry Jenkins, Alex Rivera, Lance Hammer, Dennis Dortch, and Antonio Campas.

    The "Breakthrough Actor" category has rustled up a few intriguing choices, too.

    Rosemarie Dewitt, Rebecca Hall, Michael J. Smith, Sr., Alejandro Polanco, Melissa Leo, and Pedro Castaneda will compete for the coveted prize.

    For the third year, IFP teams with MoMA to select the year's best films off the festival circuit which have yet to be released theatrically. (Best Film Not Playing at a Theatre Near you)

    Films such as the New Year Parade, Afterschool, Meadowlark, Wellness, and Sita Sings the Blues, are sure to attract large enthusiastic audiences at the eclectic gallery at the heartbeat of the city.

    "Best Documentary" hopefuls include "Chris & Dan: A Love Story", "Encounters at the End of the World", "Man on Wire", "Roman Polanski: Wanted and Desired", and "Trouble the Water".


    The Gotham Awards are selected by distinguished juries.

    The Awards began in 1991.


    The public showcase honors the independent filmmaking community and expands the audience for independent films.

    In addition, the Gotham Awards Festival supports the work that IFP does behind the scenes throughout the year to bring such films to fruition.

    Founded as a satellite program of the 1979 New York Film Festival, the nonprofit IFP, has evolved into a premier advocate for Independent Film.

    Since its start, IFP has supported the production of 7,000 films and provided resources to more than 20,000 filmmakers' voices that otherwise might not have been heard.

    IFP believes that independent films broaden the palette of cinema, seeding the global culture with new ideas, kindling awareness, and fostering activism.

    Currently, IFP represent a network of 10,000 filmmakers in New York City and around
    the world.

    Through its workshops, seminars, conferences, mentorships, and Filmmaker Magazine - the IFP - schools its members in the art, technology, and business of independent filmmaking.

    IFP also builds audiences by hosting screenings, usually in collaboration with other major cultural institutions, in Gotham City.

    Venues
    Director's Guild Theatre
    (110 West 57th Street, NYC)
    MoMA
    (11 West 53rd Street, NYC)
    BAMcinematek
    (30 Lafayette Avenue, NYC)
    Tribeca Screening Room
    (375 Greenwich Street, NYC)



     
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