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Showing posts with label Mickey Rourke. Show all posts
Showing posts with label Mickey Rourke. Show all posts

Saturday, August 7, 2010

Mickey Rourke...foul language on Leno! Jay fleshes out character...




Mickey could have been a Hollywood contender!



Ooops!

Did Mickey Rourke just call some dude a pri**" on Network TV?

Judging by Jay's stunned silence, I'd have to reply in the affirmative.

OMG!

After sipping up a dash of pepsi a moment later, the gutteral sounds sprang forth once again.

Mickey uttered up the vulgar derogatory term (often used to describe the male anatomy in the ugliest of fashions) a second time - and in about two seconds flat - the segment descended rapidly into a realm normally presided over by a posse of white-trailer trash rough-necks.

The colorful interview started off innocently enough when Jay asked the street-wise actor (known to inhabit his roles with great gusto) if he ever worked odd-jobs before he became a recongized bankable star.

Mickey started off by admitting that it was tough-going in his younger days.

But, fortunately for the gritty character actor  - he was blessed with this sort-of  Uncle (wink wink)  - who called him up with tasks to undertake now-and-then.

"I was in the money collection business, 'ya know?"

The audience roared!

Rourke then got a kick out of elaborately describing his first "job" - with so much candor and hilarious detail - that I was on the floor in stitches.

As the tawdry tale goes, a two-bit piece of hoodlum sh** allegedely owed his "Uncle" some cash.

So, eager beaver nephew (!) Mickey was hired on to pay the difficult dude a visit, 'ya know?

"I was kind-of a gangster," the likeable star chuckled to Jay who was bent out-of-shape forward on the desk all ears with ubiquitous chin jutting out.

"The guy was a real pri**," he growled.

Which caused a lot of tittering in the packed house on the NBC lot in Burbank.

Oh boy, THAT word again.

Mickey Rourke isn't a dude to mince words, after all.

"Well," he continued, "The tough guy was giving me a hard time, 'ya know?"

"The pri** didn't want to pay up, no Sir."

"When he started to play games with me, well, I snapped," he recalled in so many words.

So, I pulled out a gun, to scare the scoundrel a tad.

There was a distinctive "whoa" from the audience at this juncture as they edged forward in their seats in total disbelief anxious to learn of the outcome.

Was this a tall tale spun from Rourke's active imagination, or the real deal?

In a little scuffle that followed, the revolver went off by accident, Rourke excitedly recalled in his blow-by-blow account.

"Hold on, wait a second," the jerk-off belted out scared shit-less.

"I've got it," he barked out, as he reached for a wad of bills on the inside pocket of his jacket.

At this point, Rourke sat back in his chair, and chortled wickedly.

"When I went back to my Uncle with the cash, he thought I had done good."

Uh-huh.

So, the ballsy out-of-work struggling actor rose up in the ranks in his Uncle's favor, a keeper.

A short while later, Rourke was summoned to shake-down another dead-beat dude, who was allegedly a tougher piece of work that the first, to get through to.

"The basta** won't cough up the dough," his uncle snarled in so many words.

So, Mickey, trundled off to confront the guy, with ultimate aim of  "collecting" pocketting some much-needed cash for himself for a job well-done.

"The little pri** didn't want to pay up," he confided to the audience.

But, there was a big problem.

When he turned up to collect, it turns out that the scammer was a dwarf about 4 1/2 feet tall with a hump on his back.

"Man, there was no way I could make that dude pay up. Even though I knew he was lyin' through his teeth, I couldn't hurt him."

Ah, an enforcer, with a heart.

"So, I lost my job, go figure!"

"It's so hard to move up in the corporate world," Jay quipped in response.

The talk turned to his new film, "The Expendables".

In the clip the actor shared with the rapt audience, Rourke looked pretty "bad ass" with his long greasy hair, slack-jaw, and riot of biker-inspired tattoos that appeared to be inked all over his buffed - but battered-looking - bod.

When quizzed about how he landed the plum role, Rourke hesitated a moment, then shyly noted that good pal - Sly Stone - offered it to him.

No horse's heads in Sly's bed?

"When we knocked heads about the project, he told me I could write what I wanted. I didn't have to read for it, or anything."

For the record, I should note that when Rourke first trotted onto Jay's jazzy stage, there was quite a bit of hoopla all 'round..

Avid fans hooted and hollered amidst a thunderous round of applause - which I expect was due the fact Rourke has neared Pop Culture status - because of a character he breathed his all into -no stops-barred - in Iron Man II.

But, at the couch, the interview was off to a bumpy start.

"What happened to your hair, man," Leno exclaimed, as he gave it a shocked once-over.

"Did 'ya cut it yourself?"

"Yeah," he gruffly barked  back.

"I used to cut hair, but went a little overboard."

One side of his head was shaved so close in one spot, that bare skin was glancing through in a disturbing fashion.

And, 'round the rest of his noggin', the thick mop was cropped pretty close.

What an uneven, hideous mess!

And, his suit?

Hated it!

The icky pattern reminded me of wallpaper - and screamed of - Used Car salesman.

Rourke's stab at respectability with the mainstream movie-going audience perchance?

At the Iron Man II opening night celebrations his style was right on tap.

What happened, Mickey?

Iron Man II
Red Carpet Opening

Post: 05/08/10

http://ijulian.blogspot.com/2010/05/iron-man-2bang-for-buck-rourke.html

Though, there were a few awkward moments into the gab fest at first, Jay - the comfortaable old shoe that he is - managed to soften up the tired worn leather nonetheless.

If ever there was a role model for what can go wrong with plastic surgery, Mr. Rourke gets first shake at the title, for sure.

The Interview?

Memorable, troubling, revealing.

Which way he's going in his personal life - up, down, sideways - is anyone's guess!

His career, well, it's going gangbusters!

Ironic, that!



Saturday, May 8, 2010

Iron Man 2...bang for the buck! Rourke's phenomenal arch villain! Shandling plastic surgery distracting...





Mickey Rourke steals show!



One of the most high-profile star-studded red carpet premieres to date this year (held at the El CapitanTheatre a couple of weeks ago) was the blow out hosted by Iron Man 2.

Obviously, the producers (and studio heads) were keen to the fact they had a blockbuster hit on their hands and went for broke true Hollywood-style.

I reported on the glittering event the following morning.

Post: 04/26/10

http://ijulian.blogspot.com/2010/04/iron-man-iipremiere-mickey-rourke.html


Today, I took in an actual screening, alongside hundreds of hyped-up fans at the AMC Theatre in Century City.

The action-adventure thriller didn't disappoint!

Normally, this kind of super-hero flick is not my ball-of-wax, but there is alot to crow about.

For instance, the strong cast turned in well-fleshed-out characterizations during the course of the fast-paced, grossly entertaining, big budget celluloid offering.

With a couple of exceptions, though.

In spite of the fact Gwyneth Paltrow's character was named Pepper - there was little of that spunk - in her performance. 

Talk about sleep-walking through a performance!

Unfortunately, Gary Shandling's plastic surgery was do distracting, it was difficult to go beyond and actually zero in on his character (what there was of it).

Joan Rivers relinquishes her title as best example of what can go wrong when a plastic surgeon fu**s up royally!

Mickey Rourke's stand-out stint as an arch villain is nothing short of astounding.

The kid that's been kicked around Hollywood, and back again, rises like a phoenix from the ashes!

Robert Downey Jr.'s acting is surprisingly nuanced - although there is a tendency to fall back on old tricks of the trade - to wow an audience.

Not necessary!

The studio writers were smart to humanize the Iron Man hero, by the way. 

Samuel L. Jackson, Sam Rockwell, and Don Cheadle inhabit their roles keenly.

Scarlett Johannson - like Rourke - just about steals the show (she's so damn good!).

Foruntately, to its credit, the studio didn't stray too far from the main plotline - and muddy up the screen with sub-plots which inexperienced studio execs (with no gift for writing or telling a story) are want to do.

The undisputed star of Iron Man?

Without doubt, the visuals - and eye-popping dazzling special effects - which keep the audience on the edge of their seat on a pretty satisfying roller-coaster ride.

3 Stars!


htttp://www.thetattler.biz

Thursday, January 22, 2009

Oscar Nominations...few surprises! Nods to Button, Milk & Slumdog. Eastwood shut out, though...


There were few surprises when the Oscar nominees were announced bright and early this morning as the Nation struggled to survive an Obama hang-over from the night before.

"The Curious Case of Benjamin Button" garnered 13 nominations - some worthy - others not.

If you recall, "Benjamin Button" snapped up a gaggle of nods at the Golden Globes Awards, but walked away empty-handed at the end of the glamorous day.

There was at least one oversight in the Oscar run, though.

Clint Eastwood failed to nab any respect from the Academy for his acting chops in the newly-released drama, Gran Torino.

Pity that; after all, the down-to-earth actor's actor was deserving of a nomination.

Gran Torino represents a crowning achievement in acting after at least fifty fruitful years in the business.
(review to follow)

Speaking of male leads, nominees for Best Actor are Mickey Rourke (The Wrestler), Richard Jenkins (The Visitor), Sean Penn (Milk), Frank Langella (Frost/Nixon), and Brad Pitt (Benjamin Button).

Actresses nominted lead roles include Kate Winslet for a star-turn in "The Reader", fifteen-time nominee Meryl Streep for a stint in "Doubt", Ann Hathaway for her potrayal of an addict struggling with addiction in "Rachel Getting Married", Angelina Jolie as a distraught mother urging corrupt police to locate her missing boy in "The Changeling", and Melissa Leo as a desperate woman in "Frozen River".

The Academy is pinning their hopes on Hugh Jackman - sexist man of-the-hour - to inject new life into the Oscar celebration which is slated for broadcast next month on February 22nd at ground zero - the Kodak Theatre - in Hollywood, California.



Oscar Nominations

Best Picture

  • 'The Curious Case of Benjamin Button'
  • 'Frost/Nixon'
  • 'Milk'
  • 'The Reader'
  • 'Slumdog Millionaire'

  • Best Director

  • Danny Boyle, 'Slumdog Millionaire'
  • Stephen Daldry, 'The Reader'
  • David Fincher, 'The Curious Case of Benjamin Button'
  • Ron Howard, 'Frost/Nixon'
  • Gus Van Sant, 'Milk'

  • Best Actor

  • Richard Jenkins, 'The Visitor'
  • Frank Langella, 'Frost/Nixon'
  • Sean Penn, 'Milk'
  • Brad Pitt, 'The Curious Case of Benjamin Button'
  • Mickey Rourke, 'The Wrestler'

  • Best Actress

  • Anne Hathaway, 'Rachel Getting Married'
  • Angelina Jolie, 'Changeling'
  • Melissa Leo, 'Frozen River'
  • Meryl Streep, 'Doubt'
  • Kate Winslet, 'The Reader'

  • Best Supporting Actor

  • Josh Brolin, 'Milk'
  • Robert Downey Jr., 'Tropic Thunder'
  • Philip Seymour Hoffman, 'Doubt'
  • Heath Ledger, 'The Dark Knight'
  • Michael Shannon, ' Revolutionary Road'

  • Best Supporting Actress

  • Amy Adams, 'Doubt'
  • Penelope Cruz, 'Vicky Cristina Barcelona'
  • Viola Davis, 'Doubt'
  • Taraji P. Henson, 'The Curious Case of Benjamin Button'
  • Marisa Tomei, 'The Wrestler'

  • Best Animated Feature Film

  • 'Bolt'
  • 'Kung Fu Panda'
  • 'Wall-E'

  • Best Foreign Film

  • 'The Baader Meinhof Complex' (Germany)
  • 'The class' (France)
  • 'Departures'(Japan)
  • 'Revanche' (Austria)
  • 'Waltz With Bashir' (Israel)

  • Best Original Screenplay

  • Dustin Lance Black, 'Milk'
  • Courtney Hunt, 'Frozen River'
  • Mike Leigh, 'Happy-Go-Lucky'
  • Martin McDonagh, 'In Bruges'
  • Andrew Stanton, Jim Reardon, Pete Docter, 'WALL-E'

  • Best Adapted Screenplay

  • Eric Roth, Robin Swicord, 'The Curious Case of Benjamin Button'
  • John Patrick Shanley, 'Doubt'
  • Peter Morgan, 'Frost/Nixon'
  • David Hare, 'The Reader'
  • Simon Beaufoy, 'Slumdog Millionaire'

  • Best Documentary Feature

  • 'The Betrayal'
  • 'Encounters at the End of the World'
  • 'The Garden'
  • 'Man on Wire'
  • 'Trouble the Water'

  • Best Original Score

  • 'The Curious Case of Benjamin Button'
  • 'Defiance'
  • 'Milk'
  • 'Slumdog Millionaire'
  • 'WALL-E'

  • Best Original Song

  • 'Down to Earth,' WALL-E
  • 'Jai Ho,' 'Slumdog Millionaire'
  • 'O Saya,' 'Slumdog Millionaire'

  • Best Film Editing

  • Kirk Baxter, Angus Wall, 'The Curious Case of Benjamin Button'
  • Lee Smith, 'The Dark Knight'
  • Mike Hill, Dan Hanley, 'Frost/Nixon'
  • Elliot Graham, 'Milk'
  • Chris Dickens, 'Slumdog Millionaire'

  • Best Documentary (Short Subject)

  • 'The Conscience of Nhem En,' Steven Okazaki
  • 'The Final Inch,' Irene Taylor Brodsky, Tom Grant
  • 'Smile Pinki,' Megan Mylan
  • 'The Witness - From the Balcony of Room 306,' Adam Pertofsky, Margaret Hyde

  • Best Cinematography

  • Tom Stern, 'Changeling'
  • Claudio Miranda, 'The Curious Case of Benjamin Button'
  • Wally Pfister, 'The Dark Knight'
  • Chris Menges, Roger Deakins, 'The Reader'
  • Anthony Dod Mantle, 'Slumdog Millionaire'

  • Best Costume Design

  • Catherine Martin, 'Australia'
  • Jacqueline West, 'The Curious Case of Benjamin Button'
  • Michael O'Connor, 'The Duchess'
  • Danny Glicker, 'Milk'
  • Albert Wolsky, 'Revolutionary Road'

  • Best Sound Mixing

  • David Parker, Michael Semanick, Ren Klyce, Mark Weingarten, 'Benjamin Button'
  • Lora Hirschberg, Gary Rizzo, Ed Novick, 'The Dark Knight'
  • Ian Tapp, Richard Pryke, Resul Pookutty, 'Slumdog Millionaire'
  • Tom Myers, Michael Semanick, Ben Burtt, 'WALL-E'
  • Chris Jenkins, Frank A. Montaño, Petr Forejt, 'Wanted'

  • Best Sound Editing

  • Richard King, 'The Dark Knight'
  • Frank Eulner, Christopher Boyes, 'Iron Man'
  • Tom Sayers, 'Slumdog Millionaire'
  • Ben Burtt, Matthew Wood, 'WALL-E'
  • Wylie Stateman, 'Wanted'

  • Best Live Action Short Film

  • 'Auf der Strecke (On the Line),' Reto Caffi
  • 'Manon on the Asphalt,' Elizabeth Marre, Olivier Pont
  • 'New Boy,' Steph Green, Tamara Anghie
  • 'The Pig,' Tivi Magnusson, Dorte Høgh
  • 'Spielzeugland (Toyland),' Jochen Alexander Freydank

  • Best Animated Short Film

  • 'La Maison de Petits Cubes,' Kunio Kato
  • 'Lavatory - Lovestory,' Konstantin Bronzit
  • 'Oktapodi,' Emud Mokhberi, Thierry Marchand
  • 'Presto,' Doug Sweetland
  • 'This Way Up,' Alan Smith, Adam Foulkes

  • Best Makeup

  • Greg Cannom, 'The Curious Case of Benjamin Button'
  • John Caglione, Jr., Conor O'Sullivan, 'The Dark Knight'
  • Mike Elizalde, Thom Flout, 'Hellboy II: The Golden Army'

  • Best Art Direction

  • James J. Murakami, Gary Fettis, 'Changeling'
  • Donald Graham Burt, Victor J. Zolfo, 'The Curious Case of Benjamin Button'
  • Nathan Crowley, Peter Lando, 'The Dark Knight'
  • Michael Carlin, Rebecca Alleway, 'The Duchess'
  • Kristi Zea, Debra Schutt, 'Revolutionary Road'

  • Best Visual Effects

  • Eric Barba, Steve Preeg, Burt Dalton, Craig Barron, 'The Curious Case of Benjamin Button'
  • Nick Davis, Chris Corbould, Tim Webber, Paul Franklin, 'The Dark Knight'
  • John Nelson, Ben

  • http://www.julianayrs.com

    Friday, December 19, 2008

    Screen Actors Guild...announces nominees! Doubt & Curious Button lead pack...



    In spite of a potential strike on the horizon and contract negotiations feverishly underway, the Screen Actors Guild took a breather to underscore that it's business as usual at the guild.

    Yesterday, with little fuss or ado, reps announced nominees for the Screen Actors Guild Awards which are given out annually to recognize excellence in the Film and Television medium.

    "Doubt", a film which recently premiered at the AFI Film Fest in Hollywood amid much praise, garnered the most nods.

    In addition to being nominated for best ensemble cast, the drama - adapted for the screen from an award-winning play of the same name - captured kudos for Meryl Streep (Best Actress/lead role), Phillip Seymour Hoffman (Best Actor/supporting role), Viola Davis (Best Actress/supporting role), and Amy Adams (Best Actress/supporting role).

    "The Curious Case of Benjamin Button" and "Milk" were tied for runner-up, so-to-speak.

    Each received three nominations - which included best actor (lead role) bows for Brad Pitt in "Button" and Sean Penn in "Milk".

    Frank Langella (Frost/Nixon), Mickey Rourke (The Wrestler), and Richard Jenkins (The Visitor), rounded out the roster.


    Clint Eastwood (Gran Torino) and Leonardo DiCaprio were passed over for some inexplicable reason.

    Maybe the films were released a little too late in the season to receive due consideration by the voting membership?


    In the best supporting actor category, Josh Brolin (Milk), Robert Downey Jr. (Tropic Thunder), Heath Ledger (The Dark Knight), and Dev Patel (Slumdog Millionaire) compete (with previously-mentioned Phillip Seymour Hoffman) for the coveted prize.





    The category for best performance by an actress in a lead role looks to be one of the toughest races in the run for a prestigous SAG award.



    In addition to Streep, Angelina Jolie (Changeling), Anne Hathaway (Rachel Getting Married), Melissa Leo (Frozen River), and Kate Winslet (Revolutionary Road) will be standing in the wings ready to dash on stage in the event actors' ballots tally their way.

    The stars have obviously been shining on Ms. Winslet this year.

    The Titanic star has also been singled out as Best Actress in a supporting role (The Reader) alongside Adams and Davis. The other two challengers are Penelope Cruz (Vicky Cristina) and Taraji P. Henson for "The Curious Case of Benjamin Button".

    In the Television arena - "The Closer", "Mad Men", "The Rock", and "John Adams" - rustled up three nods apiece.

    The Award's Ceremony is slated to broadcast on TBS and TNT on January 25th from the Shrine Auditorium in downtown Los Angeles.


    Now, if only a talented individual or two could manage to craft a beautiful award worthy of the occasion to hand out to the winners.


    The current actors' award - an ugly eyesore without any aesthetic appeal - sucks in my estimation!

    Give me an Emmy any old day!
    (pictured below)


    Monday, December 1, 2008

    Mickey Rourke...Oscar nod for the Wrestler!

    The young stud in old glory days...



    Undoubtedly, you're familiar with Mickey Rourke's film project, the Wrestler.

    In a nutshell, the story goes something like this.

    Although once a headlining Wrestler, Randy "the Ram" Robinson (Mickey Rourke) has hit the skids.

    The down-on-his-luck athlete manages to rustle up a few bucks here and there, though, performing for a handful of devout fans in high school gyms and community centers out on the East Coast.

    Relationships are a tough row to hoe for Randy - one with his daughter for instance - so he throws himself full-throttle into the illusionary glory of fight bouts.

    While basking in the short-lived adrenalin rush, he pines for a chance at the brass ring.

    A trouble spot in his health (a heart attack) forces him to recognize how precious life is.

    Although I was invited to the premiere at Mann's Chinese Theatre sponsored by the AFI last month, I sauntered over to the ultra chi-chi kick-off bash for the Danish Film Festival held amid the old-world-charm of the tony Roosevelt Hotel.

    Press pals who attended the Wrestler on my behalf were in accord about one thing.

    The fight pic was a downer.

    So, it's doubtful I'll be in the "mood" to catch it.

    However, this week when I attended a screening of "Milk", a trailer for the drama flashed up on the screen before the feature presentation.

    If the acting I witnessed onscreen that night in the clips is matched throughout the Wrestler, then I am inclined to take a gamble and note for the record - in spite of the fact I have not screened the drama in its entirety - that Rourke may get a nod from Oscar!

    No surprise!

    Every scene Rourke graced the screen in, sprang to life by virtue of a performance that was both moving and deeply honest.

    In fact, it's been a couple of years since I've encountered such a natural unaffected acting style that resonated with such truth.

    Rourke was a revelation!

    Now, let's hope his handlers don't fu** it up for him prior to the big night!

    Friday, November 7, 2008

    AFI FEST...Danish Film Festival opening night a smash! Wrestler a bore...



    Well, it was a toss up.

    Should I attend a screening of the Wrestler (Mickey Rourke) - and determine for myself if the Oscar-buzz rumors were true - or mix and mingle with filmmakers at the opening night soiree for the Danish Film Festival kicking off last night?

    Fortunately, I chose the latter.

    According to a couple of my press buddies - who schlepped over to Mann's Chinese for the premiere of Rourke's new release - the red carpet scene there was a collossal bore.

    The film?

    So-so, they shrugged!

    Meanwhile, across the street in the Oscar Room amid the old-world charm of The Roosevelt Hotel, excited Danish filmmakers chatted each other up about the state of their film industry.

    The Danes know how to toss a classy festive party!

    Fine wine flowed freely, as the well-heeled guests feasted on a scrumptious assortment of quality imported cheeses, tasty crackers, and mouth-watering finger food.

    Fortunately, Lene Pels JoRgensen - the Director/Creator of the Danish Film Fest - was on hand to enlighten me about the Danish offerings slated to screen over the next few days under the umbrella of the AFI Fest in Hollywood.

    "There are quite a few collaborations now," she noted with a touch of pride in her voice. "Germany, Sweden - and other European countries - are co-producing features to be released on the world market."

    Not surprisingly, the government provides financing for films - as they do in Canada, for instance - which often helps jump-start projects.

    When I asked if there was a stipulation that projects be shot on Danish soil, Jorgensen was quick to respond.

    "It depends on the specific project."

    Danish filmmakers are going beyond their culture now in respect to subject matter, too.

    "There is a push to produce International films that have widespread appeal in foreign markets."

    I was curious if there was a star system there, like the one we have in the U.S.

    "We have recognizable Danish actors. One was in a James Bond thriller."

    At this point, she glanced around the room to take stock of the guests.

    "Yes, a couple are here tonight," she assured me.

    The Danish Film Festival is three years old and gathering steam.

    "We're happy with the AFI Fest association."

    According to festival organizers, there are many current trends in the Danish Film market that signal where the industry is going.

    There is a focus on low-budget films, for instance.

    While films with production budgets of around 2.5 million euros dominated in recent years, there is a tendency to be more prudent now.

    "There is no money in medium-budget films. Films in the 2.5 million euros range have become too expensive to be innovative and too cheap to be unique. Consequently, our declared strategy now is either to make very inexpensive films or very expensive films," noted Peter Aalbaek Jensen, head of Zentropa.

    Zentropa was founded in 1992 and has established itself far beyond the Danish borders. The company is known for edgy independent films by Lars von Trier and directors like Susanne Bier, Per Fly and Annette K. Olesen.

    There stature in the industry is pretty solid, too.

    Zentropa's films have won Golden Palm awards, the Silver Bear, and have represented Denmark at four Academy Award ceremonies.

    Nordisk films acquired a 50% stake in Zentropa earlier this year; subsequently, that quick infusion of cash will not only help launch a handful of International productions, but create a Northern European "powerhouse" capable of attracting the strongest creative forces, industry-insiders opined.

    To foster innovation in the Danish Cinema, the Festival has started up a pilot program to subsidize films with small budgets of no more than 10 million kroner (1.34 million euros).

    "With Ra/Film, we hope to contribute some innovation in Danish cinema because such low budgets force filmmakers to take risks and basically demand a good story, since you can't just crank up the effects," DFI CEO Henrik Bo Nielsen said.

    Ra/Film is wide open to genre.

    It also doesn't matter if the artists are fresh out-of-the-gate or talented seasoned pros.

    Innovative thinking is the key factor, one insider emphasized.

    After years of niceties, Danish filmgoers are apparently looking for something raw and unglossed, my sources say.

    Of course, Danish filmmakers (and funders) are quick on-the-uptake and intend to meet that demand.

    For a list of films, and a brief rundown on screenings, check out the website.

    http://www.julianayrs.com

     
    coompax-digital magazine