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Showing posts with label Vanessa Redgrave. Show all posts
Showing posts with label Vanessa Redgrave. Show all posts

Sunday, June 6, 2010

Letters to Juliete...yawn! Tired idea poorly executed...






Over the years, writers have toyed with the intriguing idea of an undelivered communication, in a myriad of ways.

In the case of "Letters to Juliete" - a letter gone astray and acted upon long after it was originally posted by the sender - falls short by a country mile.

Part of the problem is execution.

In this glorious picture-postcard tribute to the Italian countryside, the director and actors  struggle to injest much-needed zest to the slick glossy project - but because the script is so poorly-written and ill-conceivded it can't help but fail.

In a nutshell, the plot goes something like this.

A young woman stumbles on a crumpled dog-eared letter behind a brick in a wall - and on the spur of the moment - is inspired to contact the individual mentioned in the hand-written scroll in a bold-faced effort to uncover a long-standing mystery.

In response, a young English man gets in touch with "Sophie" (Amanda Seyfried) - the sickly-sweet main character in this soppy romance genre flick - on behalf of his grandmother (played coyingly by respected English actress Vanessa Redgrave who is wasting her talents here) who was once in love with the author of the found letter.

The adventurous threesome strike out to locate Claire's long-lost love with the express hope of closing a door on the past and possibly opening a new one into the future.

Unfortunately, the journey is a big yawn - a road best not taken - in this overblown piece of pap that fails to strike a chord of truth from the get-go.

Part of the problem relates to realism.

Every character that trots across the screen in "Letters to Juliet" rings hollow.

The directing is pedestrian, painful, and unimaginative.

In essence, this film is not unlike a ceremonial barge, drifting aimlessly down the stream of life without a rudder.

When all the loose ends have finally been tied up and presented in a neat and tidy package, it becomes apparent that the studio's stab at formula filmmaking, missed the mark because of the lack of one vital element.

Originality!

Nonetheless, young women have been inclined to swarm local theatres - with boxes of tissue and and mouth-watering bonbons in and - to slurp up every soapy melodramatic moment.

Go figure!




Wednesday, January 7, 2009

Defiance...Jews who fought back! Acting tour de force...


The premiere for DEFIANCE at the AFI Film Festival in November was probably the highlight of the season.

Non-stop, the press were treated to up-close and personal interviews with a handful of the stars who wafted down the red carpet a stone's throw away from excited fans who strained curbside for a glimpse of their screen idols.

Vanessa Redgrave and Matt Dillon put in unexpected appearances, too.

Even, high profile behind-the-scenes power brokers turned out to tout the release.

Post: 11/10/2008

http://ijulian.blogspot.com/2008/11/afi-festvanessa-redgrave-surprise-at.html

When Ed Zwick alighted for a chat, he was beaming with pride.

"The story may have been lost because Tuvia Bielski was such a humble man. Although he was considered a hero, he downplayed it."

Of course, he was referring to the man who inspired a community of Jews in a concentration camp, to steal away from the clutches of the Germans and seek their freedom in the wilds beyond the death camps.

Yes, Defiance is based on a true-life story about Jews who actually fought back against the Nazis in World War II.

There is quite a bit of action on screen - and likewise - no-holds barred violence on the heels of it.

Even still - the producers managed to weave a tale not only about the horrors of war - but the human condition, as well.

Unexpected twists-and-turns have been delighting rapt audiences.

A romantic wedding scene - shot under a canopy of grand old trees deep in a mystical forest - touches the heart and resonates, for instance.

The acting throughout is superb, with special kudos going to Liev Schreiber and Jamie Bell, in particular.

In contrast, I found Daniel Craig's acting style a bit too minimalist in approach.

For the most part, he was stone-faced - with little expression on his face - throughout.

And, his accent (?) was as fleeing as the wind.

In spite of those annoyances, I'm sure a shot of Craig shirtless in a romantic scene by an open fire, must have curried favor with his devout fan base.

The film was a tad long, but worth the price of admission, nonetheless.


http://www.julianayrs.com

Monday, November 10, 2008

AFI Fest...Vanessa Redgrave surprise at Defiance premiere! Matt Dillon and Juno star scoot by! Ed Zwick chats...


Ellen Page (Juno) whisked into Defiance premiere...


Last night, I was a bit of the accidental star reporter!

As the Paparazzi excitedly hung over the roped barrier straining to catch sight of celebrities, and cameramen from Local, National, and International outlets set up their tripods and readied themselves for an onslaught of high-profile industry types to stride down the red carpet, I casually responded to a publicist's offer to interview the composer for the score of Ed Zwick's new feature (Defiance) premiering at the AFI's gala closing event.

Suddenly - without warning - an elegant elderly woman strolled in my direction.

Was this the composer?

As the handsome lady drew nigh, there appeared to something awfully familiar about this guest.

In a few scant seconds - when her name flashed inside my head (which was spinning out-of-control now) - I suddenly found myself face-to-face with Oscar-winner - Vanessa Redgrave!

Oh my gosh!

Thrown off guard a tad, I struggled to regain some balance - after all, it was quite the surreal moment - and took a stab at an interview without much preparation.

So, can you tell me a little about your outfit?

"Darling, there's this wonderful film screening tonight. And you want to talk about my outfit?"

Without skipping a beat - and as eloquently as possible - I noted that makeup, hair, and designer outfits were all part of the magic and glamour of Hollywood which my readers were keen on.

"I think we should support other professionals in the industry," I added as persuasively as possible.

Ms. Redgrave reflected on the thought for a moment, appeared to digest it a little, then was inclined to go along.

"Well, you can tell them I was wearing a silver cardigan with slacks, then."

But, it wasn't just any old sweater-pant "look".

The cardigan was sprinkled here and there with a spray of "stardust" which sent out a thousand points of light as the equally dazzling Redgrave floated charismatically on down the carpet.

When the great lady moved on to other climbs, reporters all around handed off kudos and nods of approval.

One female on-camera reporter to the right of me, a bit wet behind the ears, appeared to be a bit miffed that she missed the golden opportunity that I snatched up.

Carpe diem, Miss!

On the heels of Redgrave's unexpected appearance, there were a number of loud shouts farther down the walk, where sleek limos were purring up to the curb which was bubbling over now with frenzied fans.

Matt Dillon was hustled past the paparazzi and straight into the theatre for some inexplicable reason.

The sexy film star was a little disheveled looking, but I expect it was the mad dash for the inner sanctum, which conjured up the image.

Likewise, Juno star Ellen Page - petite and pretty - was rushed past the media and out of harm's way before most caught sight of her.

In spite of handlers' efforts to muzzle and shield her from the press corps, she grinned my way, though.

Thanks, I'll cherish that, Ellen!



When Alexa Davalos (female lead opposite Daniel Craig) glided up to chat, fans behind me went wild.

"Alexa! Alexa!"

The French-born actress is on her way to super-stardom!


At 26, she has five years of television roles on her résumé. But Defiance should catapult her to dizzying new climbs.

What a stunning beauty.

The first thing you notice are the luminous eyes which speak volumes.

The Defiance star wore a elegant black dress which was complemented by a lustrous mane of long silky hair.

"It was a three-month shoot in the forest. My character is a spirited strong-willed girl."

"Like you, right?" I chided.

She beamed back, slightly amused.

Ed Zwick - the man-of-the-hour - walked up and shook my hand.

Generous to a fault - the patient producer glad-handed the paps (paparazzi) and the cubs (green reporters) and high-profile feature writers - until each had been satiated of their desire to rub shoulders with a least one power-broker in attendance at the Cinerama Dome.

"It was eight-to-ten years in the making. Defiance was picked up at a major studio early on; but, that source was abandoned later. A major obstacle was funding."

Daniel Craig was always their first choice to play the meaty role.

When the challenges flew fast and furious, Mr. Craig's commitment was firm, too.

"He said he would take on an executive position - at a desk even - if necessary. Getting the project to the big screen was key to him."

Why another holocaust story?

"There were ties to our ancestors, it was part of our heritage. And, the tale appealed because it was unique."

Screenwriter Clayton Frohman noted that while dialogue was not from the horse's mouth, per se, he went with the spirit of the subject matter to recall events as realistically and passionately as possible.

This tale was nearly lost, the producers noted poignantly.


Mia Wasikowska - who also plays a Polish girl alongside Alexa in the much-anticipated drama - was darling!

Her milky white skin and fine features were a stand-out in inky dark night.

If she didn't act, what would she do?

"I'd be a photographer," she noted seriously.

Ed Asner strolled by in a crotchety mood. This was all old hat for the popular character actor, I expect. But he showed up to support the filmmakers amid the glitz and glamour none-the-less.

When the last guest strolled into the theatre, and the doors were slammed tight by the ushers, I suddenly realized something funny.

I never did get to interview the composer!

http://www.julianayrs.com

Monday, September 17, 2007

Sally Field...awards jinx


Years ago when Sally Field rushed up to the podium to accept an OSCAR for her award-winning performance in "Norma Rae", an unadulterated moment of joy overcame her and she blurted out to the jaded Tinseltown power-players in the plush auditorium,

"You like me! You really like me!"

How could they not love a flying Nun, for heaven's sake?

Notwithstanding, that brief misstep has gone down in Showbiz annals as one of the most embarrassing moments in Oscar History.

Of course, many others run a close second.

For example, when winning for best supporting actress in "Julia", Vanessa Redgrave thanked Hollywood for having,

"...refused to be intimidated by the threats of a small bunch of Zionist hoodlums...whose behavior is an insult to the stature of Jews all over the world and to their great and heroic record of struggle against fascism and oppression."

Um, I thought this was an Oscar celebration, not a political segment on Sixty Minutes, Ms. Redgrave.

Then there was the outrageous, zesty moment when Cuba Gooding Jr., best supporting actor for "Jerry Maguire", bellowed out to the startled masses viewing from their idiot boxes at home,

"I love you Tom Cruise! I love you, brother! I love you, man! Everybody, I love you. I love you all. Cameron Crowe! James L. Brooks! James L. Brooks, I love you. Everybody who's involved with this, I love you. I love you. Everybody involved."

And who could forget the stunning moment when Sacheen Littlefeather sashayed on stage in Marlon Brando's stead when he won for best actor for "The Godfather"?

On his behalf, she mumbled to an astonished crowd,

"...awards in this country at this time are inappropriate to be received or given until the condition of the American Indian is drastically altered. If we are not our brother's keeper, at least let us not be his executioner."

Say what?

Then, there was James Cameron's ego-inspired,

"I am King of the World".

So, last night everyone held their collective breath as Ms. Field stepped lively to the stage to accept her EMMY Award for best performance in the Television Drama "Brothers & Sisters".

As she began to ramble, the audience started to mutter, "...there she goes again".

When the producers pulled the plug on the talented actress near the end of her speech, some thought it was due to her unfortunate political remarks about the War.

However, Fox issued a terse statement noting that the action was taken due to the fact Field spoke the words "God" and "Damn" in unison; for this reason alone, they asserted, the cameras zoomed elsewhere - leaving her in a lurch.

Oh yes, on occasions such as these, it is difficult to remember that Fox is actually a family network, with an ongoing mandate to provide wholesome, family entertainment to the American people.

Notwithstanding, it is difficult to fathom sometimes how it is that an actor - oftentimes paid millions of dollars to emote on camera, or on the celebrated boards in The Big Apple - more-often-than-not - has to struggle to make sense of a two-minute acceptance speech without p**ing their pants!

On this occasion, Ms. Field was unwittingly humbled by the elusive award ceremony "jinx" - known to unexpectedly descend without warning or sympathy - when an actor boldly stumbles up on stage with the bright idea to seize the auspicious moment to promote a social or political cause.

Most assuredly, as demonstrated over time immemorial, the ominous spirit of the jinx intervenes at that fateful moment, if only to ensure that said performer puts foot squarely in mouth.

It happens to the best of 'em, Ms. Field!

A piece of advice?

Next time, take a cue from Elizabeth Taylor.

When she approached the podium to accept an Oscar for her performance in "Butterfield 8" a number of years ago, she clutched her Golden Statuette graciously, then eloquently uttered two simple words: Thank you!

Now, that's class...
 
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