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Showing posts with label American Cinematheque. Show all posts
Showing posts with label American Cinematheque. Show all posts

Monday, December 1, 2008

Los Angeles Times...lack of ethics in journalism!



As much as possible, I attempt to give the old local movie houses a plug or two - so the owners can continue to pay their bills - and provide reasonably-priced movies in the community.

The Regency in the Fairfax district, for example, charges a mere $3.50 for a matinee before the stroke of 6 p.m. daily.

And, six bucks for any offering after the dinner hour.

Likewise, the New Beverly Cinema charges a mere $7.00 for a double-bill.

A paltry sum when you consider that the films screened at the Revival house tend to be classics!

In recent months, I started to notice - for some inexplicable reason - that the daily paper (Los Angeles Times) has been touting both the Aero Theatre and the American Cinematheque.

At first, I surmised that their motives were purely altruistic.

"Heh, 'ya gotta catch this feature. It's a gem!"

Weren't they just drawing attention to a film event their readership may be fired up about attending?

Just last week, the answer to that question became evident.

"No."

The Los Angeles Times is a sponsor of the Aero Theatre & the American Cinematheque!

Imagine that!

They've been promoting those theatres on the sly because of a selfish vested interest.

Once again, the management at the daily has demonstrated their lack of ethics.

Nevertheless, the writers at the Times are quick to point out that flaw in others, when the opportunity arises.

David Hull put it succinctly when he said:

"Hypocrisy is the lubricant of society."

Saturday, November 29, 2008

Margot Gerber...publicist threatens press! American Cinematheque employee a mentally disturbed loser!

Many people are under the impression that in Hollywood actors are the sole individuals with inflated egos and an overblown sense of self-importance!

However, in the underbelly of Tinsel Town, there are a handful of scurrilous individuals who take the cake in that regard.

Staffers in publicity departments - and press agents who represent major stars in Hollywood - are at the top of list!

Take Margot Gerber, for instance.

Ms. Gerber is employed in the publicity department at the Hollywood Office of the American Cinematheque.

Recently, Ms. Gerber e-mailed me a press release on the upcoming Samuel L. Jackson event slated for December 1st at the Beverly Hilton - at which point - I promptly penned a beautiful post to enlighten industry folks about the upcoming event.

Post: Samuel L. Jackson

However, when it came to acquiring a press pass for the event, I encountered a nightmare due to Ms. Gerber's incompetence, bizarre game-playing, and general lack of professionalism.

Normally, a publicity department invites the press to submit their credentials for approval to attend a specific event.

Usually, the process is prompt and conducted with a minimum amount of fuss.

But, from the get-go, it was obvious I was dealing with a loser with no legitimate background in the industry, who was under the mistaken impression that she was some kind of High-Priestess of Hollywood entitled to doll out insults, mistreat members of the press, and so forth and so on.

My suspicions were verified when I searched "Margo Gerber" on the Internet and managed to secure a handful of the most God-awful press releases she prepared (for so-called clients) which smacked of having been crafted by a ten-year old with no experience in the biz whatsoever.

In her initial press release for the Jackson affair, snobby Gerby came across as crass, abusive, and demonstrated a lack of good manners.

Her lack of respect for others was distinctly obvious, too.

In her instructions to the media, for example, she put specific words in CAPS - as if to SHOUT at the recipients - of her e-mails.

In addition, Ms. Gerber treated industry-members like they were misbehaved children - and she the strict parent on-the-ready to spank 'em - if called for.

For example, she threatened that if the rules laid down in the release weren't strictly adhered to, no credentials would be forthcoming.

And, in another segment of her misguided missive, she snidely remarked that a press pass would not necessarily guarantee entrance to the event.

"Don't contact us," she snarled. "We won't call you back." (!)

Yeah, all the top media dogs in the local arena are supposed to twiddle their thumbs, until this nasty little Princess with the foul aura gets off her high horse?

There were other glaring irregularities, too.

Ms. Gerber requested that the media "fax" requests for press passes.

Generally, though, Film Festivals and the coordinators for special screening events, conduct their press bookings via e-mail.

Consequently, many reporters don't have their own personal fax machines.

Are media types supposed to go to Kinkos, pay for a fax, then hunker down for days until she gets off her butt and responds back?

Ms. Gerber expects that, yes.

When a number of individuals I am associated with received a notice back "denying" their request for a pass, Ms. Gerber actually had the audacity to instruct them to continue to cover American Cinematheque events in the future.

Was she daft?

I, for one, will never give her, the Aero, or American Cinematheque any press coverage in the future.

Maybe, a jab or two, for the insult!

When I advised Ms. Gerber in an e-mail that I found her notions ludicrous under the circumstances, she responded with an implied threat.

"Are you sure you want to make an enemy of me?"

At this juncture, it was obvious that Ms. Gerber was in dire need of therapy, fast!

After all, any sane person - who wasn't on a power trip - would have attempted to sort out the problem professionally.

Ms. Gerber, on the other hand, inferred by her inappropriate comments, that she was an individual I would not be wise to cross!

There's nothing worse than a lady (I use the term very loosely) who thinks she has a pair of balls, eh?

In a couple of follow-up e-mails - which were desperate and out-of-line - it became obvious to me that Ms. Gerber was suffering from a mental disorder of some kind.

Ms. Gerber, get psychiatric help.

Notwithstanding, you're also a detriment to the Aero Theatre and the formerly prestigious American Cinematheque!

When I finally noted I was going forward with my story, she sent a nasty e-mail informing me she was pulling me off her e-mail lists.

Of course, her action was an attempt to slap me in the face.

But, since she was already noticed previously there would not be any coverage in the future for Aero and American Cinematheque events, why the heck do I care if I am on their e-mail lists?

Duh!

Ms. Gerber is too stupid to figure that one out.

Bill Cosby once said:

"A word to the wise ain't necessary, it's the stupid ones who need the advice."

Monday, November 17, 2008

American Cinematheque...respected actor Samuel L. Jackson to be honored at tony Black Tie Affair!



Samuel L. Jackson will be honored on December 1st (2008) with the prestigious American Cinematheque Award at an elegant Black Tie soiree at the Beverly Hilton Hotel in tony Beverly Hills.

The coveted prize is presented annually to an extraordinary artist who has contributed significantly to the Art of Filmmaking.

Tickets for the glitzy much-anticipated festivities start at $500 a pop - a bit pricey for some - but I expect that the Hollywood elite will turn out in full force to hob-nob, sip on exotic cocktails, and pay tribute to a talented actor who has the respect of many inside-the-industry and out.

Proceeds from this annual tribute fund the year-round community film programs at the American Cinematheque, the non-profit viewer supported arts organization, that preserves the historic 1922 Egyptian Theatre on Hollywood Boulevard and the 1940 Aero Theatre on Montana Avenue in Santa Monica.

The American Cinematheque's public programming celebrates the art of moving pictures and all of its forms - from the classics - to the American Independents, the latest International Productions, Documentaries, Shorts, Animation, and Experimental projects.

Series are highlighted by screenings of rare works, special prints, and audience discussions with filmmakers.

In the final analysis, Cinematheque is dedicated to preserving the movie-going experience - including, but not limited to - ensuring films are screened on the silver screen as they were originally meant to be seen and heard by movie buffs.


Wednesday, October 29, 2008

American Cinematheque! Horror Classics for Halloween. October 30th @ the Egyptian Theatre.


Got nothing to do on Thursday, October 30th, just prior to the wild bash on Halloween night in West Hollywood?

Why not prep yourself for the ghoulish celebrations on spooky Friday - by attending a couple of trick-or-treat Horror Classics - sponsored by American Cinematheque at the Egyptian Theatre in Hollywood?

The prestigious organization is screening 2 Peter Cushing/Terrence Fisher features on a double-bill! (Hammer Productions)

Horror of Dracula was shot in 1956.

Director Terence Fisher and screenwriter Jimmy Sangster offer up their take on Bram Stoker’s celebrated gothic horror period piece.

Christopher Lee's moody performance as Dracula is a stand-out.

And, Professor Van Helsing is played to the hilt by spirited Peter Cushing.

Highlights include brooding cinematography and a stirring score by James Bernard.

Horror of Dracula is touted as one of Hammer’s most enduring masterpieces!

The second thriller on the bill - The Brides of Dracula - was shot in 1960.

Terence Fisher directed.

In this scary offering, Baron Meinster is played by David Peel.

At the beginning of the film, an intro by voice over, intones:

"Transylvania is a land of dark forests, dread mountains and black unfathomed lakes, still the home of magic and devilry as the nineteenth century draws to its close. Count Dracula, monarch of all vampires is dead but his disciples live on to spread the cult and corrupt the world"

In a nutshell, it is a wacko tale about a bloodsucking villain chained in a castle lair by a conflicted deranged mother (Matita Hunt).

When the Baron is unwittingly released by a stranded French schoolteacher by the name of Marianne (Yvonne Monlaur) he proceeds to wreak havoc amongst the local female population.

Luckily, Marianne is rescued by a traveling vampire hunter by the name of Professor Van Helsing (played with great dramatic flair by Peter Cushing) - at which point - the battle between good and evil begins in earnest.

A rip-roaring tall tale and one of Hammer’s most rewarding vampire pictures, according to horror genre film buffs.

Enter to win fright-filled DVD’s throughout the blood-splattered weekend courtesy of Fox Home Entertainment, Warner Bros. and MGM.

Click on this link if you dare: http://www.wedareyoutowatch.com/

See 'ya there!

 
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