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Showing posts with label Culture. Show all posts
Showing posts with label Culture. Show all posts

Wednesday, June 22, 2011

The Shaman says...Dream Catcher casts out evil spirits! Sleep in heavenly peace!










In some cultures, a Shaman is either a "witch doctor" or a prophet (or both).

Essentially a "healer", he (or she) is often chosen by a spirit guide (or given a sign) -and thereafter - is initiated into the realms of the Shamans to perform their miracles.

During a trance state - often induced by way of the beating of the ceremonial drum and sacred chanting - the witch doctor is guided by the spirits.

Usually, the Shaman works on behalf of a member of the tribe, and attempts to effect a healing.

For those who are troubled by disturbing dreams - especially in these uncertain economic times - the Shaman recommends that the individual craft (or purchase) a Dream Catcher to ward off negative influences.

According to Plains Indian Chiefs, a dream catcher should be hung by the window or at the head of the subject's bed.

Bad dreams that float from evil sources get caught in the web at the center of the dream catcher which is also decorated with feathers, lucky beads, and powerful symbols deep-rooted in the ancient culture.

The good dreams work their way through an opening at the center of the intricate mystical web, rest on the feather like a dew drop, then evaporate to become one with the Great Spirit in the morning sun.

Plenty of that in the Desert Oasis, eh?

The prayer beads on the symbolic Dream Catcher trap all the evil nightmares that are left on the web, and thereafter, burn 'em up.

Sweet Dreams!

http://www.thetattler.biz




Monday, April 4, 2011

Sundance Film Festival...Robert Redford to screen flicks across pond in London! A gamble?




 



In a bid to spread the good word about the wonders of celluloid and Independent film (now a major U.S. export overseas) and its ability to touch and inspire the human spirit, officials at Robert Redford's "Sundance Film Festival" announced ambitious plans to launch a version of the Utah-based fest overseas in the heart of London.

The much-ballyhooed cultural reach is slated for an ceremonious unveiling next year (to run April 26th thru the 29th).

In addition to an eclectic string of thought-provoking insightful movies, Redford's "baby" is known for, there will be a stimulating calendar of events that range from live stage performances, to industry panels on a myriad of filmmaker topics, and insightful one-on-one interviews with high-profile celebs on the independent film landscape.

"It is our mutual goal to provide the U.K. with the very best in current American Independent Cinema, to introduce the artists responsible for it, and in essence help build a picture of our country that is broadly reflective of the diversity of voices not always seen in our cultural exports," the respected actor underscored in a press release in recent days.

Will there be as keen an interest in Sundance "picks" (which usually set filmmaking trends) across the big pond as there is on these shores?

News at 11!

http://www.thetattler.biz



From heartthrob to respected film director!

Sunday, April 3, 2011

Los Angeles...skyscrapers to compete with Times Square! LA LA LAND destination city!









Tourists and locals alike are quite keen to the fact that if they saunter downtown after hours in Los Angeles, that they'll pretty much encounter a ghost town with little late-night entertainment to offer.

It is not surprising to hear that the hip with-it set interested in partying-hearty often jet to Las Vegas or Manhattan - especially if they're pining for trendy watering holes to hang out in 'til the wee hours of dawn.

But, the developers behind the billion-dollar Wilshire Grand project have their sights on transforming that boring image to ensure LA LA LAND is a destination city in the future.

For example, along the upper floors of the planned 45-story hotel and 65-floor office tower, architects have hatched up a novel idea to etch a myriad of fanciful images of butterflies, waterfalls, and galaxies of stars by embedding thousands of lights in the building's surface.

The lower floors would feature a dazzling array of commercial ads to enliven the normally-dark canyons of the downtown city core.

Think the Chanel building in Tokyo or the Cira Centre in Pennsylvania.

And, in the end scenario, the landowners expect to transform and revitalize the heart of Los Angeles

Korean Air, the main financial backer, has teamed up with a host of - business entities, high-profile glad-handing politicians (and even unions) - to rustle up the clout necessary to green-light the project with officials and city planners in the corridors of power.

Needless to say, a nasty debate has reared its ugly head over the issue.

Critics argue that the proposed plan will radically alter the city's skyline, for starters.

And, because of it, developers may end up butting heads with established factions in Los Angeles who have their own visionary ideas about what kind of evolution should take place in the future.

Opponents prefer the trend away from excessive signage in the cityscape to one that follows a green policy that is environmental-friendly.

One critic has cautioned that the city shouldn't allow light emitting diodes (LEDS) on dozens of stories of any skyscraper until there is a blueprint in place for regulating the technology.

True!

What do you think?

News at 11!

http://www.thetattler.biz




Transformation of downtown Los Angeles

Tuesday, October 26, 2010

Asian Art Museum...Ghosts & Golden Clouds Exhibition in San Francisco! Win free tickets!










This Thursday, the Asian Art Museum is tossing a spooky celebration,  sure to send a shiver up-and-down the spine.

Without doubt - the intriguing exhibit - Ghosts and Golden Clouds - also promises to be a stimulating cultural experience as well.

Master storyteller Brenda Wong Aoki, award-winning contemporary jazz composer Mark Izu, and an ensemble of percussion, saxophone, koto, shakuhachi, and taiko drums will perform dramatic, haunting tales about restless ghosts,  things that go bump in the night, and eerie reminders of the consequences of the remains of the day.
At this final MATCHA presentation of the year, guests may participate in a timely art activity (creative individuals are invited to craft a Noh Mask), take a docent tour, or marvel at a dazzling collection of exquisite Japanese screens which span over five centuries.

At the - Beyond Golden Clouds exhibit - art-lovers will also have the opportunity to win a gallery membership.

A membership opens the door to 6500 years of history across seven major regions of Asia by way of ongoing presentations in a handful of exhibition halls at the Museum , for starters, and is an exciting prize to win.

http://post.sfstation.com/forms/asian.html

http://www.thetattler.biz/


Saturday, September 11, 2010

San Francisco...Autumn Moon Festival features Shao Lin Temple Martial Artists!





Changle - the mythical Moon Goddess of Immortality - is honored today at the 6th Annual Autumn Moon Festival today in downtown San Francisco.

The benevolent one is fondly remembered for saving China from an evil Emperor many centuries ago and the celebration is an important one in the American Asian Community.
Many of the rituals that are carried out today are mostly based on lore which follow tradition, but for the locals it is also a time to bring the community together as well as introduce others to the customs involved.

About 10,000 visitors are expected to flock into the Moon Festival grounds (on Saturday September 11th) to take part in the joyous celebration on Sunset Street.

The Moon cake is a traditional food that is eaten on the occasion - not only because it is a tasty offering - but because it played an important part in Chinese History.

During the Yuan Dynasty, the Chinese  were successful in driving out their enemies - the Mongols - by concealing well-conceived plans for an overthrow inside the moon cakes which were delivered to the masses at the annual Autumn Festival

Today, there will be activities for the kids, tasty snacks, music, art displays, cultural demonstrations and many live performances related to the Chinese traditions.

"All of us need to continue to recognize each other's heritage and culture," beamed Senator Leland Yee during a recent press junket promoting the Moon Festival.

Although there is something for everyone - old and young alike - the buzz is that an appearance by a Martial Arts group consisting of Monks from the Shao Lin Temple is expecting to be the highlight.








Tuesday, April 6, 2010

India...welcome! Increased traffic boosts stats at Tattler...








Although I haven't changed my content here at the Tattler (business as usual!) - for some inexplicable reason - a review of stats has established that over the past few weeks there has been a huge surge in traffic from India.

There has been a lot of coverage on the high-profile Oscars and popular U.S. TV shows (such as "Dancing with the Stars" and "American Idol") - which may figure in.

After all, India touts a burgeoning BOLLYWOOD that is on par with the glitz and glamour of the entertainment industry here on U.S. Shores in Tinsel Town.

Don't know, for sure!

Granted, there have been blog posts which may be of particular interest to Indian citizens.

For example, there have been movie reviews for films like "Outsourced".

The upbeat entertaining film takes a poke at "outsourcing" of American jobs overeas.

Movie Review

http://ijulian.blogspot.com/2007/10/outsourcedcharming-film.html

Before "Slumdog Millionaire" was released Internationally  - and became a "known commodity" in the film industry - I reported on the film's relatively unknown cast on the red carpet in Dallas and in Los Angeles (which included an interview with highly-respected film Director Denny Boyd).

Post: 02/24/10http://ijulian.blogspot.com/2009/02/slumdog-millionaireafi-foresaw.html

There have been on-camera interviews with Bollywood Stars such as Samrat Chakrabarti when he attended the Director's Guild screening of "Karma Calling" at the Aisan Pacific Film Festival, too.

Post:  05/05/09http://ijulian.blogspot.com/2009/05/asian-pacific-film-festivalsamrat_05.html

Occasionally, I pen articles on Yoga and Buddhism, since Eastern religions (and the philosophy and teachings of the great Masters originating from this culture) are of great interest to me.

And, I often quote one of my favourite spiritual leaders,  Gandhi.

http://ijulian.blogspot.com/2008/05/mahatma-gandhiquote-on-immortality.html

Unfortunately, I've yet to visit India, but I can dream - can't I?

I'd love to see the Taj Mahal, visit a handful of ancient ruins, and trapise though the breathtaking mountain regions.



The Taj Mahal is a mausoleum located in Agra, built by Mughal Emperor Shah Jahan in memory of his favorite wife Mumtaz Mahal.


The Taj Mahal is an exquisite example of Mughal architecture - a style that combines elements from - Persian, Indian, and Islamic architectural styles.

It is often referred to as "the jewel of Muslim art" in India.

History

India's history and culture is ancient and spans back to the beginning of human civilization and is touched on here briefly for obvious reasons.

The wealth of information is staggering!

The history of India has been one of constant integration with migrating peoples and with the diverse cultures that surround India.

At the center of Asia, India is at a crossroads with cultures from China to Europe, with a significant Asian connection with the cultures of Africa.

India's history, in many ways, is a microcosm of human histor comprised of diverse cultures.

The History of India arose with the birth of the Indus Valley Civilization in such sites as Mohenjo-Daro, Harappa, and Lothal, and the coming of the Aryans.

These two phases are known as the pre-Vedic and Vedic periods.

Hinduism arose in the Vedic period.

In the fifth century, large parts of India were united under a legendary historical figure known as Ashoka.

Ashoka the Great was an Indian emperor of the Maurya Dynasty who ruled almost all of the Indian subcontinent from 269 BC to 232 BC.

Ashoka reigned over most of present-day India after a number of military conquests.

His empire stretched from present-day Pakistan, to Afghanistan in the west, beyond to  the present-day Bangladesh, included the Indian state of Assam in the east, and went  as far south as northern Kerala and Andhra.

He conquered the kingdom named Kalinga and embraced Buddhism from the prevalent Vedic tradition after witnessing the mass deaths of the war of Kalinga (which he himself had waged out of a desire for conquest).

He was later dedicated to the propagation of Buddhism across Asia and established monuments marking several significant sites in the life of Gautama Buddha.

In human history Ashoka  is often referred to as the emperor of all ages.


Ashoka was a devotee of ahimsa (nonviolence), love, truth, tolerance and vegetarianism.

Under the Mauryas, Hinduism took shape and transformed over the ages until the present day.

The Mauryas were an Indian dynasty in the fourth-third centuries (BCE) which unified the subcontinent for the first time and contributed to the spread of Buddhism as well.

Islam was first introduced to India in the eighth century and over time became a major political force.

The European presence in India dates to the seventeenth century.

The English rule emerged as a result of the conquests at the battlefields of Plassey and Buxar.

A Rebellion in 1857-58 - which sought to restore Indian supremacy - was defeated.

When Victoria was crowned the Empress of India, the Nation became incorporated into the Empire.

Eventually, the  British were forced out of India in 1947.

Temples

India, a territory bound by the Hindu Kush and the Himalayas, boasts many wonderful temples.

The earliest temples were  rock cut and cave temples in India.

The temples of the Medieval Era were varied in architectural styles and often followed the taste  of the ruler at the time and the nature of his or her devotion. .

For the most part, the sacred houses of worship reflect age old customs and traditions of India.

Some of the jewels in that crown include the Sun Temple at Konark, the Khajuraho Temples, the Ajanta Caves, Brihadeswara Temple, and the Sanchi Stupas.

Literature

The oldest literature of Indian is thought to be the Veda, a collection of religious and philisophical poems and hymns composed over several generations beginning as early as 3000 BC.

The Veda was composed in Sanskrit which was the intellectual language of both ancient and classical Indian civilizations.

There are four Vedas.

Some Vedic hymns and poems address philosophic themes such as the henotheism (the key to Hindu theolog).

Through Henotheism the idea is put forth that one God takes many different forms and that - although individuals may worship several different gods and goddesses - they really revere but one Supreme Being.

The Rig-Veda

The Veda dates back to 3000 BC and contain 1028 hymns (10,589 verses are divided into ten mandalas or book-sections) dedicated to thirty-three different gods.

The most prominent Gods were Gods of nature like Indra (rain god; king of heavens), Agni Mueller, the Vedas (fire god), Rudra (storm god; the 'howler'), Soma (the draught of immortality, an alcoholic brew).

The Sama-Veda

The Sama-Veda (or the wisdom of chants)  is basically a collection of samans or chants, derived from the eighth and ninth books of the Rig-Veda.

These were meant for the priests who officiated at the rituals of the soma ceremonies.

The Yajur-Veda


They performed the sacrificial rites.

The Veda also outlines various chants which should be sung to pray and pay respects to the various instruments which are involved in the sacrifice.

The Atharva-Veda

The Atharva-Veda (the wisdom of the Atharvans) is called so because the families of the atharvan sect of the Brahmins have traditionally been credited with the composition of the Vedas.

It is a compilation of hymns but lacks the awesome grandeur which makes the Rig-Veda such a breathtaking spiritual experience.

The Upanishads

The term Upanishad means sitting down near.

As the idea implies, students sitting down near their Guru, to learn the secrets of existence.

In the splendid isolation of their forest abodes, the philosophers who composed the Upanishads, contemplated upon the various mysteries of life and its creation whether common or metaphysical.

The answers were not revealed to all - but rather - to  select advanced students.

The teachers felt that some individuals were not capable (or ready) to deal with the powerful knowledge bestowed upon them.

The Upanishads were sought to fathom the mystery of the earthly and spiritual realms.

Through commentaries, stories, traditions and dialogue, the Upanishads unfold the fascinating tale of creation, life, the essence of life and of that beyond to the seeker of truth.

The Upanishads were composed over a long period (7th -5th centuries BC.).

The Upanishads were originally called Vedanta (conclusion to the Vedas).

The teachings of the Upanishads focused on views about Brahman (the Absolute, or God) and atman (one's true self).

Brhad-aranyaka Upanishad

The Brhad-aranyaka Upanishad is widely accepted to be the most important of all Upanishads.

It has three khandas or parts.

The madhu khanda contemplates on the relationship between the individual and the Universal self. The muni khanda or yajnavalkya is a debate which goes on to give the philosophical backing to the earlier teaching. The khila khanda tackles various rituals of worship and meditation.

Chandogya Upanishad


This Upanishad is a part of the Sama-Veda (see The Vedas).

The name comes from the singer of the songs (samans) who is called Chandoga.

The initial chapters of the Upanishad, discuss the ritual of sacrifice.

The others debate the origin and profundity of the concept of Om, among other things.

Aitareya Upanishad


This one forms part of the Rig-Veda.

The purpose is to make the reader understand the deeper meaning of sacrifice and to take him away from the outer trappings of the actual act.

Taittriya Upanishad

The siksa valli deals with the phonetics of the chants, while the others, brahmananda valli and bhrgu valli deal with self-realization.

A part of the Yajur-Veda, this Upanishad is divided into three sections or vallis.

Isa Upanishad

Also called the Isavasya Upanishad, this book deals with the union of God, the world, being and becoming.

The main thrust was on the Absolute in relation with the world (paramesvara).

The gist of the teachings is that a person's worldly and otherworldly goals need not necessarily be opposed to each other.

Kena Upanishad

The name of this Upanishad comes from the first word kena, or by whom.

It has two sections of prose and two of poetry.

The verses deal with the supreme spirit or the absolute principle (brahmaana) and the prose talks of ishvara (god).

The moral of the story is that the knowledge of ishvara reveals the way to self-realization.

Katha Upanishad

Also called the Kathakopanishad, this Upanishad uses a story (katha) involving a young Brahmin boy called Nachiketa to reveal the truths of this world and the other beyond the veil.

Prashna Upanishad

Prashna literally means question and this book is part of the Athrava-Veda.

It addresses questions pertaining to the ultimate cause, the power of Om, and the relation of the supreme to the constituents of the world.

Mundaka Upanishad

This book also belongs to the Atharva-Veda.

The name is derived from 'mund' or to shave which means that anyone who understands the Upanishads is shaved from ignorance.

This book stresses  the importance of knowing the supreme brahmaana, only by which knowledge can attain self-realization.

Mandukya Upanishad

The Mandukya is an exquisite treatise which expounds on the principle of Om and its metaphysical significance in various states of being, waking, dream and the dreamless sleep.

The subtlest and most profound of the Upanishads, it is said that this alone will lead one to the path of enlightenment.

Svetasvatara Upanishad

The name of this Upanishad is after its teacher.

It teachings focus on the unity of the souls and the world in one all-encompassing reality.

The concept of there being one god is also talked about here.

It is dedicated to Rudra, the storm god.

Maitri  Upanishad


This Upanishad references the Trinity of Hindu Gods (Shiva, Vishnu and Brahma) which was a later development with theories on the world being illusory in character (a Buddhist influence).

Vajrasucika Upanishad

Belonging to the Sama-Veda,  the Vajrasucika reflects on the nature of the supreme being.

The core of the teachings of the Upanishads is summed up in three words:

tat tvam as… you are that.

The Puranas

The Puranas contain the essence of the Vedas.

They were written to impress the teachings of the Vedas onto the masses and to generate devotion to God in them.

They have five characteristics: history, cosmology (with symbolical illustrations of philosophical principles), secondary creation, genealogy of kings, and Manvantaras (the period of Manu's rule consisting of 71 celestial yugas).

The Puranas were meant, not for the scholars, but for ordinary people who could not understand high philosophy and could not study the Vedas.

There is an emphasis on the worship of Brahma (the creator), Vishnu (the preserver), Shiva (the destroyer), Surya (the Sun God), Ganesha (the elephant headed god known to be the remover of obstructions ), and Shakti (the goddess).

All the Puranas belong to the class of Suhrit-Sammitas, or the Friendly Treatises, while the Vedas are called Prabhu-Sammitas or Commanding Treatises with great authority.

There are 18 Puranas : Brahma Purana, Padma Purana, Vishnu Purana, Vayu Purana or Siva Purana, Bhagavata Purana, Narada Purana, Markandeya Purana, Agni Purana, Bhavishya Purana, Brahma Vaivarta Purana, Linga Purana, Varaha Purana, Skanda Purana, Vamana Purana, Kurma Purana, Matsya Purana, Garuda Purana and Brahmanda Purana.

Of these, six are Sattvic Puranas glorifying Vishnu; six are Rajasic, glorifying Brahma; six are Tamasic, glorifying Siva. Vyasa, the son of Rishi Parasara, is said to be the author of them all.

Hindus view cosmic activity of the Supreme Being as comprised of three tasks: creation, preservation, and dissolution and recreation.

Hindus associate these three cosmic tasks with the three deities, Brahma, Vishnu and Shiva. Lord Brahma brings forth the creation and represents the creative principle of the Supreme Being.

Lord Vishnu maintains the universe and represents the eternal principle of preservation.

Lord Shiva represents the principle of dissolution and recreation.

These three deities together form the Hindu Trinity.

Hindu religion is often labeled as a religion of 330 million gods.

According to the Hindu scriptures, living beings are not apart from God, since He lives in each and every one of them in the form of atman (BG 10.39).

The number 330 million was simply used to give a symbolic expression to the fundamental Hindu doctrine that God lives in the hearts of all living beings. .

Sri Ramakrishna once said that  there can be as many spiritual paths as there are spiritual aspirants - similarly - there can really be as many Gods as there are devotees to suit the moods, feelings, emotions & social background of the devotees.

The Hindu scriptures when they were describing the qualities of God.

He is all-knowing & all powerful.

He is the very personification of justice, love & beauty. He is ever ready to shower His grace, mercy & blessings on His creation.

The main Hindu Gods today are  broadly classified as Saiva Gods (Siva, His consort, His sons, His other forms), Vaishnava Gods (Vishnu, His consort, His various avatharams)& Sakthi or Saktha (Forms of Goddess Sakthi)

The Ayrans

The Aryans were semi-nomadic Nordic Whites, perhaps located originally on the steppes of southern Russia and Central Asia, who spoke the parent language of the various Indo-European languages.

Latin, Greek, Hittite, Sanskrit, French, German, Latvian, English, Spanish, Russian etc. are all Indo-European languages; Indo-European, or more properly Proto-Indo-European (PIE), is the lost ancestral language from which those languages ultimately derive.

They worshiped a sky-god, they traced descent through the male line, they raised cattle, they drank meed, they used horse-drawn chariots (which they probably invented) as weapons of war, etc.
Aryans, specifically Indo-Aryans, make their first notable appearance in history around 2000-1500 BC as invaders of Northern India.

The Aryans were remarkably expansionist, and almost everywhere they went they conquered and subjugated the indigenous peoples, imposing their languages and (to varying degrees) their religious beliefs on the natives, and receiving in turn contributions from the peoples whom they conquered.

Aryan invasions swept across Old Europe beginning as early as the fourth millennium BC.

Caste System

Social classes are referred to as the "caste system (Hinduism).
The first three are referred to as the twice born.

This has nothing to do with reincarnation.

Being "twice born" means that you come of age religiously, making you a member of the Vedic religion, eligible to learn Sanskrit, study the Vedas, and perform Vedic rituals. The "second birth" is thus like Confirmation or a Bar Mitzvah.

According to the Laws of Manu (whose requirements may not always be observed in modern life), boys are "born again" at specific ages: 8 for Brahmins; 11 for Ks.atriyas; and 12 for Vaishyas.

A thread is bestowed at the coming of age to be worn around the waist as the symbol of being twice born.

The equivalent of coming of age for girls is marriage.

The bestowal of the thread is part of the wedding ceremony.

That part of the wedding ritual is even preserved in Jainism.

Ancient Iran also had a coming of age ceremony that involved a thread.

That and other evidence leads to the speculation that the three classes of the twice born are from the original Indo-European social system (the theory of George Dumézil).

Even the distant Celts believed in three social classes.

Although there must have been a great deal of early intermarriage in India, nowhere did such an Indo-European social system become as rigid a system of birth as there.

The rigidity may well be due to the influence of the idea of karma, that poor birth is morally deserved.

According to the Laws of Manu, when the twice born come of age, they enter into the four âshramas or "stages of life."

The first is the brahmacarya, or the stage of the student (brahmacârin).

For boys, the student is supposed to go live with a teacher (guru), who is a Brahmin, to learn about Sanskrit, the Vedas, rituals, etc.

The dharma of a student includes being obedient, respectful, celibate, and non-violent.

 "The teacher is God."

For girls, the stage of studenthood coincides with that of the householder, and the husband stands in the place of the teacher.

Since the boys are supposed to be celibate while students, Gandhi used the term brahmacâri to mean the celibate practitioner that he thought made the best Satyagrahi, the best non-violent activist.

The second stage is the gârhastya, or the stage of the householder, which is taken far more seriously in Hinduism than in Jainism or Buddhism and is usually regarded as mandatory, like studenthood, although debate continued over the centuries whether or not this stage could be skipped in favor of a later one.

This is the stage where the principal dharma of the person is performed, whether as priest, warrior, etc., or for women mainly as wife and mother.

Arjuna's duty to fight the battle in the Bhagavad Gita comes from his status as a householder. Besides specific duties, there are general duties that pay off the "three debts": a debt to the ancestors that is discharged by marrying and having children; a debt to the gods that is discharged by the household rituals and sacrifices; and a debt to the teacher that is discharged by appropriately teaching one's wife or children

The third stage is the vânaprastya, or the stage of the forest dweller.

This may be entered into optionally if one's hair has become gray, one's skin wrinkled, and grandchildren exist to carry on the family.

Husbands and wives may leave their affairs and possessions with their children and retire together to the forest as hermits.

This does not involve the complete renunciation of the world, for husbands and wives can still have sex (once a month), and a sacred fire still should be kept and minimal rituals performed. This stage is thus not entirely free of dharma.

The Forest Treatises were supposed to have been written by or for forest dwellers, who have mostly renounced the world and have begun to consider liberation.

The modern alternatives seem to consist of the more stark opposition between householding and becoming a wandering ascetic.

The fourth stage is the sannyâsa, or the stage of the wandering ascetic, the sannyâsin (or sâdhu).

If a man desires, he may continue on to this stage, but his wife will need to return home; traditionally she cannot stay alone as a forest dweller or wander the highways as an ascetic.

The sannyâsin has renounced the world completely, is regarded as dead by his family (the funeral is held), and is finally beyond all dharma and caste.

When a sannyâsin enters a Hindu temple, he is not a worshiper but one of the objects of worship.

Not even the gods are sannyâsins (they are householders), and so this is where in Hinduism, as in Jainism and Buddhism, it is possible for human beings to be spiritually superior to the gods.

It has long been a matter of dispute in Hinduism whether one need really fulfill the requirements of the Laws of Manu (gray hair, etc.) to renounce the world.

There are definitely no such requirements in Jainism or Buddhism.

The Buddha left his family right after his wife had a baby, which would put him in the middle of his dharma as a householder.

Jainism and Buddhism thus developed monastic institutions, but these did not really develop as such in Hinduism.

Four stages of Life (Four parts of Vedas)

The four stages of life may be associated with the four parts of the Vedas: the sam.hitâs with the stage of the student, who is particularly obligated to learn them; the brâhman.as with the stage of the householder, who is able to regulate his ritual behavior according to them; the âran.yakas with the stage of the forest dweller, who regulates his ritual behavior according to them and who begins to contemplate liberation; and finally the upanis.ads with the stage of the wandering ascetic, who is entirely concerned with meditation on the absolute, Brahman.

The twice born account for about 48% of Hindus.

The rest are Shudras and Untouchables.

The Shudras may represent the institutional provision that the Arya made for the people they already found in India.

The Shudras thus remain once born, and traditionally are not allowed to learn Sanskrit or study the Vedas.

Their dharma is to work for the twice born.

But even below the Shudras are the Untouchables, who are literally "outcastes," and were regarded as "untouchable" because they are ritually polluting for caste Hindus.

Some Untouchable subcastes are regarded as so polluted that members are supposed to keep out of sight and do their work at night:

They are called "Unseeables."

In India, the term "Untouchable" is now regarded as impolite or politically incorrect.

Why there are so many Untouchables (15%-20% or so of Hindus) is unclear, although caste Hindus can be ejected from their jâtis and become outcastes and various tribal or formerly tribal people in India may never have been properly integrated into the social system.

When Mahâtmâ Gandhi's subcaste blocked his attempts to go to England to law school,  he went anyway and was ejected from the caste. After he returned, his family got him back in, but while in England he was technically an outcaste.

Existing tribal people, as well as Untouchables, are also called the "scheduled castes," since the British drew up a "schedule" listing the castes that they regarded as backwards, underprivileged, or oppressed.

The Untouchables, nevertheless, have their own traditional professions and their own subcastes.

Those professions  involve: (1) dealing with the bodies of dead animals (like the sacred cattle that wander Indian villages) or unclaimed dead humans, (2) tanning leather, from such dead animals, and manufacturing leather goods, and (3) cleaning up the human and animal waste for which in traditional villages there is no sewer system.

Mahâtmâ Gandhi referred to them  "scavengers".

Since Gandhi equated suffering with holiness, he saw the Untouchables as hallowed by their miserable treatment and so called them "Harijans" (Hari=Vis.n.u).

Later Gandhi went on fasts in the hope of improving the condition of the Untouchables, or at least to avoid their being politically classified as non-Hindus.

Today the status of the Shudras, Untouchables, and other "scheduled castes" (and the preferential policies that the Indian government has designed for their advancement ever since Independence)  are sources of serious conflict which have consisted of murders and riots in Indian society.

I wonder, which caste is inclined to read my blog?





Wednesday, February 10, 2010

Backstage at the Geffen...Celebrity gala benefit for hope & healing! Evening of anecdotes...


Charming Geffen Theatre in Westwood!



On March 22nd, the Geffen Theatre will play host to a special event honoring Barry Meyer and Kristin Chenoweth.

Co-Chaired by Alan & Cindy Horn and John & Marilyn Wells, the organizers excitedly informed me in a press release today, that the benefit's chief function is to bring inspiration, hope and healing through the arts to over 24,000 students, at-risk youth, and seniors and veterans.

In sum, Backstage at the Geffen is expected to be an evening of laughter, music and irreverent stories about life on the other side of the curtain.

The special event with draw on Geffen's extended family of actors, playwrights and directors.

The chi chi celebrity gala affair at the charming Geffen will be hosted and directed by Gil Cates.

A handful of high-profile sponsors include Warner Brothers, Audi & Fiji water, to name a few!

Mezzanine tickets

$250+

Info: Ticket & Sponsorship

310.208.6500


Geffen relaxes poolside
(well almost)

Tuesday, January 19, 2010

New York...56th Annual Winter Antiques Show! Exquisite quality curios...






Over the years, I've collected quite a few antiques.

The most precious?

The pieces I ferreted out of the back rooms of dusty old antique shops, purchased for a song by the road at a country-yard sale, even a cherished piece or two  handed-down from a neighbour anxious to trim down their possessions and lighten the load.

Of course, as you can well imagine, I am a big fan of the enlightening Antiques Road Show.

This week, the promos started up for the Winter Antiques Show in New York City.

The Antique extravanganza will run January 21st - January 31st.

Although I won't be there to rummage through the fabulous collection on display in person, I'll be hopping on line to check a few of the treasures highlighted.

http://www.WinterAntiquesShow.com

This year there will be a loan exhibition at the Park Armory site to salivate over also.

LOAN EXHIBITION

Colonial to Modern: A Century of Collecting at Historic New England

Sponsored by Chubb Personal Insurance
(Proceeds from the show will benefit East Side House Settlement)

EXHIBITORS

Bernard Goldberg Fine Arts
Clinton Howell Antiques
Lost City Art
American Antiques, Inc.
Rupert Wace Ancient Art Limited
Peter Pap Oriental Rugs, Inc.c
Georgian Manor Antiques
Aronson of Amsterdam
*Check Web site for complete list

OPENING NIGHT PARTY

JANUARY 21ST

Winter Antiques Show
Park Avenue Armory
67th St. & Park Avenue
New York City (NY)

HOURS

DAILY
12 p.m. - 8 p.m.

SUNDAYS & THURSDAYS
12 p.m. - 6 p.m.

TICKETS
$20.00 Admission
(includes catalogue)




Friday, January 15, 2010

San Francisco...MOMA "Focus on Artists" enlightens! Jan 16 - May 23rd...



Frank Stella inspired trends after sixties era!




San Francisco's MOMA celebrates its 75th Anniversary with an exciting exhibition titled:

Focus on Artists

The comprehensive collecion of pieces on display include 100 paintings, sculptures, and photographs (circa 1944 to 2006).

Curators have personalized each artist's contribution to the insightful show by hanging their indiviudal works in their own "intimate" gallery setting.

According to Gary Garrels (Senior curator of painting and sculpture) the eclectic exhibition puts the spotlight on a major shift in art being offered after the boisterous sixties era (which concentrated on more social and psychological themes).

In essence, there are two halves of the show, which complement each other admirably.

One body of work focuses on major American artists who helped nuture and impact the abstract expressionist movement (such as  Richard Serra, Frank Stella, Ellsworth Kelly).

A section on artists of International renown (unveiled this weekend) consists of the highly-individual artistic styles of Jeff Wall, Warhol, Diane Arbus, Sigmar Polke and others.

According to Garrels, museum staff are thrilled with this turning point at the SFMOMA.

"The two halves of the show will have their own internal argument that will, I hope, be clear and relevant to people. I think it's been a revelation for everybody here to see what depths we have to see all these works together and to realize this really is a world-class museum."

See for yourself!

San Francisco Museum of Art
151 Third Street
San Francisco, CA

Dates
January 16th - May 23rd

Exhibition Hours

Daily Viewing
(closed Wednesdays)

11 am - 5:45 pm
(Thursdays 8:45 pm)

Info:  www.sfmoma.org
         415.357.4000



Controversial works by Pop Icon Warhol



Canadian Artist Jeff Wall featured


Thursday, January 14, 2010

King Tut...exquisite artifacts @ de Young Museum in San Francisco! Student discounts...





Artifacts from King Tut's tomb are currently on display through March 28th at the de Young Museum in San Francisco.

Locals may recall that a dazzling installation of select objects were first exhibited at the respected art institution about thirty-years ago.

In its current incarnation it returns as:

Tutankhamun: the Golden Age of the Paraohs

When I was in Dallas last year covering a film festival, I was fortunate to catch the dazzling display which consists of 130 important historical objects (50 from the Tomb of King Tut) which are supplemented with 80 objects from tombs of Tut  ancestors (placing the legendary ruler in a larger context according to curators).

Tutankhamun was born in approximately 1341 BC.

The "boy" King was known as Tutankhaten which means "Living Image of Aten".

King Tut had five official names that reflected divine roles set down by the Pharaohs.

Each of his names defined a sacred function that was overseen by the Gods.

King Tut's full name consisted of a birth name, protected name, Horus name, Golden Horus name and throne name.

Birth Name:

Sa Ra (“son of the Sun”), Tutankhaten (“the living image of Aten”) later changed to Tutankhamun (“the living image of Amun”)

In his role as Horus he was bestowed the title:

Heru: Ka Nakht, Tut Mesut (“Horus: Strong bull, of perfect birth”)

His name under the protection of Nekhebet and Wadjet was:

Nebty: Nefer Hepu Segereh Taui (“He of the Good Laws, Who Pacifies the Two Lands”)

Golden Horus name (identifying kinship to the Gods as son on earth):

Heru Nebu: Wetches Khau Sehotep Neteru
(“He who Wears the Crowns and Satisfies the Gods”)

Throne name:

Nesu Bity (“King of upper & lower Egypt”) and Nebkheperura (“all the transformations of Ra”)

King Tut reigned during one of the most chaotic periods in the history of Egypt.

Akhenaten, Tutankhamun's father, was known as the heretic King.

The religious ideas of his father radically changed Ancient Egypt from a polytheistic religion (worshipping many gods) to monotheism (the worship of one God - the Aten - depicted as the sun disc).

The Ancient Egyptians worshipped the same Gods for thousands of years.

The Egyptians were forced to abandon their old Gods and Akhenaten used the might of the Egyptian army to enforce these ideas and destroy the old religion and its priesthood.

The powerful priests of Amun were expected to worship the sole God Aten.

Akhenaten ordered that all images of all other Gods be destroyed.

Tutankhamun became Pharaoh at nine years of age.

In the same year, Tutankhamun married Ankhesenpaaten, his half sister (who was the third daughter of Akhenaten and Nefertiti).

His regent was Ay who was also the Grand Vizier (the father of Nefertiti and the grandfather of Ankhesenpaaten, the wife of Tutankhamun).

His General of the Armies was Horemheb (designated heir to the throne).

The great military commander, General Horemheb, was designated as the Tut's  "Deputy, and was recognized as heir to Tutankhamun until the pharaoh produced children.

The marriage of Tutankhamun and Ankhesenpaaten produced at least two daughters who were stillborn.

At one point, the Royal court moved back to the old capital at Thebes which was the center of worship of the God Amun and the power base of the Amun priests.

Because of a growing backlash against the new religion, the young pharaoh changed his name from Tutankhaten to Tutankhamun (while Queen Ankhesenpaaten changed her name to Ankhesenamun).

Tutankhamun commissioned various building works at this time including the restoration of some temple properties at Karnak and Thebes.

King Tut died unexpectedly at the age of eighteen.
He reigned for just nine years and the cause of his death still remains a mystery.

He was buried in a hastily prepared tomb in the Valley of the Kings seventy days after his death, according to the spiritual rituals of the Egyptians.

According to legend, anyone who disturbed Tut's tomb would face catastrophe by virtue of a curse.

50% off Student Admission

Present a borders rewards card or Flat Anubis at King Tut ticket office and students (6-17) recent passes for half-price.

Applicable Dates

January 5th / February 6th
(Tuesday thru Friday)

Info: deyoungmuseum.org/tut




Dallas Museum Exhibition

Monday, January 4, 2010

Latinos...crystal ball portends disaster in California! Culture Clash problematic...



If a White man speaks the truth
(He's labelled a racist)




Latinos worst offenders

In the morning Los Angeles Times - some idiot columnist in the front section of the daily - put forth the notion that because the Census Bureau will release statistics soon that indicate Latinos will be the majority in LA LA LAND in the future a concerted effort should be made to accommodate these immigrants from south of the border.

What a ludicrous premise to build an argument on.

A number of white folks I know have moved out of the city, because they allege that the City of Angels is overrun (their words, not mine) with Latinos.

Others compare the situation to smog.

"You get used to it. Take the necessary precautions," they quip somewhat amused.

Some say, Latinos have brought the backlash on themselves, due to their inappropriate defiant conduct and outright refusal to assimilate into the culture here alongside a smattering of other races thankful to be on these shores (without griping).

Locals lament that they are increasingly annoyed by the fact that their newspapers arrive late in the morning, the doors of Jack-in-the-Box and McDonald's always open late (never on the hour), and so forth and so on.

Siestas  may be the norm in Mexico, but don't cut it here, north of the border.

U.S. residents also complain that when they venture into a store operated mostly by Latino Immigrants, employees openly speak Spanish - thus, excluding English-speaking White Anglo-Saxons from the conversation - which they find not only rude but downright insulting.

In many instances, workers don't even speak the language, so when a problem arises in the business establishment the immigrants are unable to comprehend the specifics and  rectify the consumer's complaint issues.

Simple concepts like conserving water, for instance, are beyond them.

Ad nauseam they water down sidewalks mid-day during water shortgages without a clue!

Yes, what we have here is a failure to communicate, or understand the American culture.

Maybe, the INS should give classes on the U.S. way of life, with the requirement of a passing grade before legal papers are rubber-stamped for approval.

If the government doesn't put a handle on the growing culture clash soon, my crystal ball portends an impasse,  which may result in an uprising from within the borders (spelling disaster).

Obama, the ball is in your court!





Thursday, July 2, 2009

Public Enemies...hollow film disappoints!! Style & technique enough to crow about...

Is it me, or is this a queer place to post film credits?



If you are an intelligent film-goer, you may be inclined to steer clear of "Public Enemies" - the much-touted piece of fluff starring charismatic Johnny Depp - which was just released in theatres around the country.

The film on the life & times of Public Enemy No. 1 - John Dillinger - roars onto the silver screen right off-the-bat with a smattering of edge-of-your-seat adrenalin-rushing action, then proceeds to move along at a fast clip.

Great, for starters.

From the get-go, I was dazzled by Michael Mann's (Miami Vice) expert film techniques, which admirably succeeded in buttressing-up the tightly-woven drama as it splashed gloriously before me above the footlights in lush exquisite detail from ambitious beginning to predictable Hollywood-style end.

The actors were often set strategically within the frame (profiles in silhouette, for instance, were often set forward - others farther back - to effect an unsettling tension (or unspoken relationship between the characters), while backgrounds etched in swift small strokes - or lazy wide ones - were offered up when needed to flesh out and add color to the mix when scenarios demanded it.

All-in-all, "Public Enemies" is a visual masterpiece on celluloid which manages to hold the audience captive by virtue of stylized filmmaking approaches and departures that resonate beyond the limitations of the screen normally.

The mesmerizing fictionalized bio - emboldened by gutsy straightforward believable dialogue and fine performances by a stellar supporting cast - is also a smorgasbord for the senses.

Pristine marble polished to perfection in bank foyer backdrops wows, and fashion flourishes from the period flaunt the excesses of the era and openly appeal to the sensibilities in their daring flights of fancy and drama, as the character-driven scoundrels sweep film buffs along in this cautionary tale about high-stakes crimes and a judicial system that is wanting.

The keenest eye could have been fooled, though.

Not mine!

Like a delectable dessert savored at each delicious bite - "Public Enemies" left a sickly sweet aftertaste in my mouth for a moment or two - then faded away.

When 'ya get right down to the nitty-gritty, the sensational Dillinger tale is just a puff piece.

Yes folks, all style and no substance.

A hollow film, in the final analysis.

No wonder!

When a film goer saunters beyond the initial gloss upfront - and likewise - wises up to the manipulative devices playing havoc with the heartstrings, there's not much meat left to feast on.

In sum, the filmmakers' failure to dig deep beneath Dillinger's skin, was their undoing.

Imagine that, the celebrated director didn't even bother to scrape beneath the pretty-boy surface (a little rough around the edges) or even try to fathom what made Dillinger "tick".

One line of dialogue about daily beatings from "Daddy" didn't suffice to fuel - or validate - the rage that ran rampant throughout "Public Enemies" just shy of two-and-a-half hours.

Eureka!

I've stumbled upon the answer.

Just maybe, there was nothing particularly intriguing about Dillinger, to warrant an over-the-top big-budget studio-backed effort.

Say, what were Dillinger's major achievements (claims to fame) in the grand scheme of things, anyway?

Busting out of jail, robbing banks, eluding the long arm of the law?

That's it in a nutshell, folks.

Bottom line, Mann was fixing to exalt a lousy thief!

I expect half-the-reason the Mann (some say he's at the top of his game right now) snapped up Depp to inhabit the role was to capitalize on an image that oozes non-stop with likability.

Just betcha, the studio was counting on Depp's magnetic persona to slop over and subliminally seduce fans and film goers slyly into the theatres and seal their fate at the box office.

That may have been one failing.

Personally, I thought Depp - though scrappy and menacing at times - lacked the ba""s to pull off the role effectively.

Universal's much-anticipated blockbuster cried out for a young DeNiro!

Even still, Depp stole the limelight whenever he appeared onscreen n any capacity.

Not difficult to do.

Christian Bale's characterization - after all - was wooden.

The FBI role he took a stab at required a stretch that was way beyond his acting muscle.

Ah, but he sure looked masculine (and virile) in a period hat when a smattering of spontaneous light & shadows struck his jutting jaw, just so.

When I am noticing silly details like this, the producers are in trouble.

Essentially, "Public Enemies" is just another gangster movie, albeit goosed up a bit with slick imagery and media-rich state-of-the-art modern technology.

If you want to sit back, nibble on popcorn, and forget about your woes for two -and-a-half hours or so, this is the entertaining bill-of-fare you've been pining for.

I'm betting discerning audiences will plunk their bucks down elsewhere for now and catch Depp's gangster flick later on DVD.

3 Stars!

http://www.julianayrs.com/

Sunday, May 24, 2009

Carl Ferris...LIVE PERORMANCES nightly @ Fremont Street experience! Dazzling sax player...(4th) HD Video capture by Julian Ayrs...


Check out the finger work on this sax playing which I caught on HD Video last week when I was in Vegas at the Fremont Street experience.

Soulful original sounds by Mr. Ferris will leave 'ya warm & fuzzy @ the end of the night!

http://www.julianayrs.com

Thursday, February 12, 2009

ASPEN SANTE FE BALLET...triumphantly returns to The Joyce Theatre! NYC performances slated Feb. 17th - 22nd...





The Nationally-acclaimed Aspen Sante Fe Ballet returns to The Joyce with three New York City premieres.

For the past ten years or so, the Ballet company has wowed audiences with their impressive signature style - and I might add - garnered glowing reviews from tough critics near and far.

This eclectic and innovative dance troupe will return to the NYC and perform what is being touted by the company as a sophisticated program featuring some of the world's foremost choreographers in the exciting arena of Ballet today.

The likes of William Forsythe, Jorma Elo, Itzik Galili, and Helen Pickett are sure to delight, in fact!

Sid Smith of the Chicago Tribune raved:

"The Aspen Sante Fe Ballet is small in size and young in years, but its lustrous Chicago debut proved its big and deserves everlasting life."

"It's a class act, a classic act, and an extraordinary engaging act; it's the Aspen Santa Fe Ballet," exalted Clive Barnes at the New York Post.


Tickets: http://www.joyce.org



http://www.julianayrs.com

7th Annual Backstage at Geffen...featuring Rita Wilson, surprise performances, musical guests!


David Geffen Playhouse



Monday, March 9, 2009 Backstage at the Geffen

The David Geffen playhouse is inviting theatre-goes to an evening of laughter, music and irreverent stories about life on the other side of the curtain.

The Geffen's 7th Annual Backstage celebration will draw on an extended family of actors, playwrights and directors to conjure up a night of lively entertainment hosted by Producing Director Gil Cates.

Night's Festivities

7:00 pm Drink & Nibble
8:00 pm Listen and Honor

Surprise storytellers and musical guest performances!

Award Presentations

Distinction in Theater Award to Rita Wilson
(presented by an unannounced special guest)
Distinction in Service Award to Leslie Moonves
(presented by Mary Steenburgen)

9:30 pm Dessert & Mingle

Attire

Anything goes!

"The night is about enjoying the art of theater and you don’t need to don anything special to do that," according to Geffen staff.

The festive event may be a bit pricey for some.

Backstage Benefactor $3,000

*8 tickets to Backstage with priority orchestra seating
*8 tickets to pre-show cocktail hour and post-show dessert reception
*Recognition in Virtual Tribute Journal (Backstage Benefactor)
*One full screen color ad or message in Virtual Tribute Journal*

Backstage Patron $1,500

*4 tickets to Backstage with priority orchestra seating
*4 tickets to pre-show cocktail hour and post-show dessert reception
*Recognition in Virtual Tribute Journal (Backstage Patron)
*One split-screen full color ad or message in Virtual Tribute Journal*

Backstage Friend $300

*One ticket to Backstage at the Geffen
*One ticket to pre-show cocktail hour & post-show dessert reception

Tickets: http://www.geffenplayhouse.com/backstage/



 
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